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        <title>Allen Pittman</title>
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        <description>Physical Training Traditions</description>
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<span id='Monographs' ></span><h1>Monographs</h1>
<span id='Psychic Self-Defense' ></span><h2>Psychic Self-Defense</h2>
<p><em>This is a brief monograph or article (about 15-25 pages depending on how you space your lines). However, it is quite comprehensive &#8211; on how to deal with Psychic or &#8220;Occult&#8221; Attack. </em></p>
<p>As a bodyguard I have found the feeling or sense of fear in the person being attacked &#8211; or the attacker &#8212; is just as important as an actual attack. Fear is not just &#8220;the mind killer&#8221; as Frank Herbert wrote in &#8220;Dune&#8221;, it is also a way to weaken your immune system and generate a victim mentality. So in these last months of 2011 &#8212; building toward 2012- it seems this sort of thing &#8211; attacks by Ritual Magic and Occult Means &#8211; are becoming more popular than ever.</p>
<p>Economically people are feeling disempowered &#8211; and they ARE. Because of this the population has a bigger excuse to become more violent. And it is bound to do so. In doing so people will also resort to other means to feel &#8220;Empowered&#8221;. Because I have been called in to deal with this sort of thing as well as physical threat I decided to write an overview of defenses for Psychic Attack. This brief but effective text is intended to give useful tools to those who feel they are under psychic or occult attack.</p>
<p>The text ranges from techniques used to counter the effects of the use of an effigy or &#8220;voodoo doll&#8221; (i.e. &#8220;Sympathetic Magic&#8221;) all the way up to how to approach full fledged Demon Possession. Normally I have not written of things of this nature on the web but with the recent popularity of &#8220;Zombies&#8221; and the like, there is another, more real aspect. And that is the aspect of psychological or psychic warfare. And that in essence is what this text is about.</p>
<p>I&#8217;ll send this text as a file from computer to computer.</p>
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<span id='DVDs' ></span><h1>DVDs</h1>
<span id='Training the Leg' ></span><h2>Training the Leg</h2>
<div class="wp-caption alignright" style="width: 160px"><img style="margin-left: 5px; margin-right: 5px;" src="/images/wob/Trainingthelegpic.jpg" alt="" width="150" height="220" hspace="5" /><p class="wp-caption-text">Training the leg</p></div>
<p>This is a survey of ways to train the legs and feet drawing from Traditions of the East and West, as well as old and new material. There are specific exercises involving retraining the bottom of the feet, the alignment of the leg bones in conjunction with that, and then evolving to the use of the squat and release of the hip joints with the strengthening of the quadriceps. Concepts range from restructuring the sole of the foot through specific pressure training on jack stands, to working with the hip rotation of Tai chi all the way to how to strengthen the hips for high kicking as well as low kicking and lunging and jumping. I have not seen anything on leg training anywhere as comprehensive as this &#8230;</p>
<p><em>Price is $25 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Training the Leg" /><input type="hidden" name="price" value="25" /><input type="hidden" name="product_tmp" value="Training the Leg" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='Hsing-I Animals of Chang Chuen-feng' ></span><h2>Hsing-I Animals of Chang Chuen-feng</h2>
<div class="wp-caption alignright" style="width: 360px"><img class=" " style="margin-left: 5px; margin-right: 5px;" src="/images/wob/thunderbird.jpg" alt="" width="350" hspace="5" /><p class="wp-caption-text">Thunderbird</p></div>
<p>In this DVD Hal Mosher and I look over the Hsing-I Animals of Chang Chuen-feng and we go over applications for all twelve animal forms of Chang Chuen-feng (including the linking form or &#8220;13th Animal known as &#8220;The Phoenix&#8221; or &#8220;Red Bird of Fortune&#8221;).</p>
<p><em>Price is $45 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Hsing-I Animals of Chang Chuen-feng" /><input type="hidden" name="price" value="45" /><input type="hidden" name="product_tmp" value="Hsing-I Animals of Chang Chuen-feng" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<h2>Advanced Hsing-I<br />
Dragon and Chicken -Various Masters</h2>
<div class="wp-caption alignright" style="width: 160px"><img style="margin-left: 5px; margin-right: 5px;" src="/images/wob/HIdragon.jpg" alt="" width="150" height="96" hspace="5" /><p class="wp-caption-text">Hsing-i dragon</p></div>
<p>Here are the various articulations and applications of these two Hsing-I animals. The animals are the most demanding and technically advanced forms of Hsing-I. These are from the Shansi-Hopei Tradition but include variations from Chen Pan-ling, Chang Chuen-feng and Li Shou-tien (Rose Li). To my knowledge no one else has compared these variations and clearly marked them as to lineage and application on a dvd.</p>
<p><em> Running time is 35 minutes.</em><br />
<em>Price is $35 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Advanced Hsing-I, Dragon and Chicken" /><input type="hidden" name="price" value="35" /><input type="hidden" name="product_tmp" value="Advanced Hsing-I, Dragon and Chicken" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<h2>Advanced Hsing-I &#8211; Tai<br />
(in the tradition of Chang Chuen-feng)</h2>
<div class="wp-caption alignright" style="width: 160px"><img style="margin-left: 5px; margin-right: 5px;" src="/images/wob/hsingitaiIpic.jpg" alt="" width="150" height="94" hspace="5" /><p class="wp-caption-text">Hsing-i tai</p></div>
<p>The Tai is the animal of Hsing-I &#8211; usually considered to be a bird &#8211; which I was taught as the response to Western Boxing techniques. As such in the culture of the U.S. &#8211; at this period of time, with the popularity of MMA &#8211; I believe it is very important and answers needs regarding how to protect the head against &#8220;head hunters&#8221; and how to hit the head with non-gloved techniques.</p>
<p><em>Running time is 20 minutes.</em><br />
<em>Price is $20 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Advanced Hsing-I - Tai" /><input type="hidden" name="price" value="20" /><input type="hidden" name="product_tmp" value="Advanced Hsing-I - Tai" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='Chen Pan-ling&#8217;s Ba-gua in three variations' ></span><h2>Chen Pan-ling&#8217;s Ba-gua in three variations</h2>
<div class="wp-caption alignright" style="width: 160px"><img style="margin-left: 5px; margin-right: 5px;" src="/images/wob/2Chen%20Ba-gua%20update.jpg" alt="" width="150" height="240" hspace="5" /><p class="wp-caption-text">Chen ba-gua</p></div>
<p>Updated 2010 to clarify his original forms as opposed to the new modified forms taught by his son Chen Yun-ching (see his website). This DVD shows how I learned the Eight Circle Changes of Chen Pan-ling from his younger son -in large willowy movements and then from his older son &#8211; in quick jabbing and small circle actions. I also show Wang Shu-chin&#8217;s variations of these forms and applications for all these forms.</p>
<p><em>Running time is 35 minutes.</em><br />
<em>Price is $35 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Chen Pan-ling's Ba-gua in three variations" /><input type="hidden" name="price" value="35" /><input type="hidden" name="product_tmp" value="Chen Pan-ling's Ba-gua in three variations" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<h2>Hatha Yoga Routine<br />
accented for martial arts</h2>
<p><img class=" alignright" style="margin-left: 5px; margin-right: 5px;" src="/images/wob/hathayogapic.jpg" alt="" width="150" height="251" hspace="5" /></p>
<p>This is a precise and clear 25-minute routine with sound cues so you can follow along until you have it memorized. The Basic Asanas covered are Forward Bend, Cobra, Shoulder Stand, Boat, Plough, Bow and Thunderbolt Posture. There then follows the more difficult variation of the Sun Salutation as done in the Indian Wrestling Tradition with a special anterior spinal isometric. Unlike many modern Hatha Yoga teachings I emphasize resting between the positions for at least one minute and holding them for at least one minute. I am fully aware one can do these postures for hours but am thinking of people who have no time to waste. One minute is the standard time for a full muscular release. Less than that gives a mere bouncy stretch in which the heat produced in the joints is insufficient to increase the range of the stretch. There are also some helpful variations on some of the positions shown and the split of the legs is added to the Forward Bend to assist anyone with low back problems.</p>
<p><em>Running time is 25 minutes.</em><br />
<em>Price is $25 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Hatha Yoga Routine, accented for martial arts" /><input type="hidden" name="price" value="25" /><input type="hidden" name="product_tmp" value="Hatha Yoga Routine, accented for martial arts" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='Hsing-I Staff' ></span><h2>Hsing-I Staff</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdnhsingIstaff.gif" alt="" width="105" height="170" border="0" /></p>
<p>In this DVD I go over the use of the six foot staff with the Five Fists of Hsing-I according to Hung I-mien. The sliding grip is the chief feature and the footwork matches the Five Fists empty hand forms. The genius of the application is in using a feint before each strike with the addition of the sliding thrust which is very difficult to &#8220;read&#8221; in battle and also gives you some basic techniques with a spear. As this is a small amount of footage but informative just let me know if you wanted added to any other DVD.</p>
<p><em>Running time is 10 minutes.</em><br />
<em>Price is $10 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Hsing-I Staff" /><input type="hidden" name="price" value="10" /><input type="hidden" name="product_tmp" value="Hsing-I Staff" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='The Ba-Sho (and Five Fists)' ></span><h2>The Ba-Sho (and Five Fists)</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdnBa-Sho.gif" alt="" width="105" height="170" border="0" /></p>
<p>The &#8220;Ba-sho&#8221; or &#8220;Eight Hands&#8221; is an ancillary set of movements taught often after the Five Fists or &#8220;Elements&#8221; of Hsing-I&#8211;have been mastered. These are the Ba-sho of Chang Chuen-feng and they are attributed to General Yueh Fei as are the Five Fists and also The Eagle Claw System. One could say the Ba-sho are the link between Hsing-I and Eagle Claw. The DVD shows application drills for the Five Fists and the Ba-sho. If you are interested in Hsing-I as a complete system or curriculum the Five Fists and Ba-sho are the foundation. Then the linking sets and animals are learned. I intend on releasing the whole system of Chang Chuen-feng&#8217;s Hsing-I on DVD so that the knowledge will be available to those interested.</p>
<p><em>Running time is 25 minutes.</em><br />
<em>Price is $25 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="The Ba-Sho (and Five Fists)" /><input type="hidden" name="price" value="25" /><input type="hidden" name="product_tmp" value="The Ba-Sho (and Five Fists)" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='The Shepherds Way' ></span><h2>The Shepherds Way</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdnshepardsway.gif" alt="" width="105" height="170" border="0" /></p>
<p>This is an overview of the three ancient weapons which were transferred from Shepherd to Infantryman; The Mace, The Staff and The Cloak. As a study of the basic angles of attack and the use of a weapon in each hand this dvd should not only be interesting but should provide plenty of ideas on applications for drills as well as &#8220;can-opening&#8221; katas and related martial forms. Demonstrated are derived applications from Hsing-I and Ba-gua and of course necessity. War and Gladitorial re-enactors should find this dvd very helpful too. My idea was to look at the most common and ancient tools that became weapons and these appear to be them and as such they demonstrate certain core ideas on attacking and defending angles, feinting, distraction and of course hitting.</p>
<p><em>Running time is about 20 minutes.</em><br />
<em>Price is $20 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="The Shepherds Way" /><input type="hidden" name="price" value="20" /><input type="hidden" name="product_tmp" value="The Shepherds Way" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='Wisdom of the Body I' ></span><h2>Wisdom of the Body I</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdnWOB1.gif" alt="" width="105" height="170" border="0" /></p>
<p>Being the full developmental sequence of exercise Allen and Victoire Slakey devised together for anyone of any age to rediscover their own body. The sequence can be done as a warm up or more intensely as a conditioning protocol for any athletic protocol. Allen says, &#8220;This is what I wished I had known BEFORE I studied martial arts.&#8221;</p>
<p><em>Running time is about 30 minutes.</em><br />
<em>Price is $30 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Wisdom of the Body I" /><input type="hidden" name="price" value="30" /><input type="hidden" name="product_tmp" value="Wisdom of the Body I" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='Tai Chi Chuan-Applications of the Short Yang Form' ></span><h2>Tai Chi Chuan-Applications of the Short Yang Form</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/TaiChiChuan.jpg" alt="" width="200" height="243" border="0" /></p>
<p>Applications for practically all the movements of the short yang form save one or two (depending on your points of reference). These applications are a result of conversation and many years of work- outs with Hal Mosher. Hal and I go through many of the applications which you will find are effective and give concrete substance to the forms which much of the time has been made so subtle as to lose rather than gain in essence&#8230;.</p>
<p><em>Running time is about 30 minutes.</em><br />
<em>Price is $32 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Tai Chi Chuan-Applications of the Short Yang Form" /><input type="hidden" name="price" value="32" /><input type="hidden" name="product_tmp" value="Tai Chi Chuan-Applications of the Short Yang Form" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em><br />
<em> plus shipping from here in France.<br />
(the older dvds are shipped from within the US). </em></p>
<p>&nbsp;</p>
<span id='Celtic Wrestling' ></span><h2>Celtic Wrestling</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/CelticWrestling.jpg" alt="" width="200" height="316" border="0" /></p>
<p>Reviews the techniques of Sleeper, Facelock in variations, double bar arm, arm crank, scissor and toe hold with some others&#8230;these being some of the techniques taught by Tim Geoghegan one of the &#8220;old-timers&#8221; of wrestling and &#8220;the strong man of Leitrim&#8221;&#8230;Tim was not only a professional strong man in a circus he wrestled-touring the world including considerable time at the Riley gym in Wigan, England.</p>
<p><em>Running time is about 1 hour 10 minutes.</em><br />
<em>Price is $64 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Celtic Wrestling" /><input type="hidden" name="price" value="64" /><input type="hidden" name="product_tmp" value="Celtic Wrestling" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em><br />
<em> plus shipping from here in France.<br />
(the older dvds are shipped from within the US). </em></p>
<p>&nbsp;</p>
<span id='Hsing-I Basics and Tactical Drills' ></span><h2>Hsing-I Basics and Tactical Drills</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdhsingibasics.jpg" alt="" width="300" height="247" border="0" /></p>
<p>This dvd covers the basic type of movement-from the legs up- which characterizes the Five main movements of Hsing I and includes exercises to do with a partner and drills which enhance your ability to read an opponent. The emphasis is on how to use the first movement of Hsing-I -&#8221;Splittng&#8221; to create an opening on an opponent. The footage was edited from the Atlanta workshop of 2008. This dvd is an excellent place to start if you are beginning Hsing-I training.</p>
<p><em>Running time is about 25 minutes.</em><br />
<em>Price is $24 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Hsing-I Basics and Tactical Drills" /><input type="hidden" name="price" value="24" /><input type="hidden" name="product_tmp" value="Hsing-I Basics and Tactical Drills" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em><br />
<em> plus shipping from here in France.<br />
(the older dvds are shipped from within the US). </em></p>
<span id='The Hoplite-Shield and Spear' ></span><h2>The Hoplite-Shield and Spear</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdshieldspear.jpg" alt="" width="300" height="331" border="0" /></p>
<p>I was finally able to make time during my last visit to the US to meet up with my old Hoplite student John Moulton and we were able to record these sequences showing basic movement of spear and shield independently and then, how to use them both together. The detail on how the shields were locked in the old days is- to my knowledge- a first time discovery. I know of no historian who has shown how the &#8220;shield lock&#8221; mentioned by the Greeks was actually done! This dvd is a perfect complement to the article I did on Hoplite Warfare for Barry Molloy&#8217;s book/anthology &#8220;The Cutting Edge&#8221;.</p>
<p><em>Price is $35 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="The Hoplite-Shield and Spear" /><input type="hidden" name="price" value="35" /><input type="hidden" name="product_tmp" value="The Hoplite-Shield and Spear" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em><br />
<em> plus shipping from here in France.<br />
(the older dvds are shipped from within the US). </em></p>
<span id='Advanced Hsing I &#8211; The Swallow and the Monkey' ></span><h2>Advanced Hsing I &#8211; The Swallow and the Monkey</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdswallowmonkey.jpg" alt="" width="100" height="400" border="0" /></p>
<p>This dvd covers these two animals from the twelve animal section of Hsing-I. The animals are considered to be the advanced form work of Hsing-I. This dvd covers the movements/form and the primary applications which you can work on with a training partner. The Swallow includes both empty hand applications and some usage of the Battle Hammer or mace. The historic evidence as far as I can see indicates the Swallow form probably came from India originally and was brought into Hsing-I. The same could be the case for the Monkey though I cannot find physical evidence for it. The Monkey part of the dvd pays particular attention to the layout of the movements from a distance so the student/trainee can see the layout of the angles of the form. Applications are clearly shown and done slow enough for a student to see clearly how to do them. These forms add challenges to the serious student of Hsing-I in that they include low squats and Monkey works on fast body rotation and the front lunge. (Advanced Hsing -I includes jumping, squatting and lunging-none of which are done with the five &#8220;mother&#8221; fists or core movements).</p>
<p><em>Running time is about 40 minutes.</em><br />
<em>Price is $35 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Advanced Hsing I - The Swallow and the Monkey" /><input type="hidden" name="price" value="35" /><input type="hidden" name="product_tmp" value="Advanced Hsing I - The Swallow and the Monkey" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em><br />
<em> plus shipping from here in France.<br />
(the older dvds are shipped from within the US). </em></p>
<span id='Hsing-I; Various Teachers Various Steps' ></span><h2>Hsing-I; Various Teachers Various Steps</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdhsingi.jpg" alt="" width="100" height="195" border="0" /></p>
<p>This is nearly every variation of the &#8220;Five Fists&#8221; of Five Elements I have learned over the last 30 plus years from several teachers. My emphasis these days is on application so I have sample applications for nearly every variation and some application drills demonstrated as well. There are also examples of the varied steps of Hsing-I and how stamping is used (now popularly called &#8220;Fa Jing&#8221;) and how it is meshed with other kinds of stepping. To my knowledge there is no other DVD available on the Five Fists with the same amount of information on both form and application. Teachers variations include Yuan Tao, Hung I-mien, Chen Pan-ling and others.</p>
<p><em>Running time is 46 minutes.</em><br />
<em>Price is $45 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Hsing-I; Various Teachers Various Steps" /><input type="hidden" name="price" value="45" /><input type="hidden" name="product_tmp" value="Hsing-I; Various Teachers Various Steps" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em><br />
<em> plus shipping from here in France.<br />
(the older dvds are shipped from within the US). </em></p>
<span id='Ba-gua Various Masters on the Circle' ></span><h2>Ba-gua Various Masters on the Circle</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdbaguaallen.jpg" alt="" width="100" height="146" border="0" /></p>
<p>This is my 30 year plus experience with both form and application on the Ba-gua circle with the eight &#8220;Mother&#8221; or Circular Changes. The Masters variations demonstrated include Chen Pan-ling, Wang Su-chin, Sun Lu-tang, Gao I-sheng and others. Often in this DVD I demonstrate more than one application for a single movement so many of you interested in Ba-gua application will find this very interesting. Now split into 2 DVD&#8217;s.</p>
<p><em>Ba-gua Various Masters I</em><br />
<em> Includes Circle Palm Changes 1-5.</em><br />
<em> Running time is 52 minutes.</em><br />
<em>Price is $45 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Ba-gua Various Masters on the Circle I" /><input type="hidden" name="price" value="45" /><input type="hidden" name="product_tmp" value="Ba-gua Various Masters on the Circle I" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object> </em></p>
<p><em>Ba-gua Various Masters II</em><br />
<em> Includes Circle Palm Changes 6-8.</em><br />
<em> Running time is 26 minutes.</em><br />
<em> Price is $25 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Ba-gua Various Masters on the Circle II" /><input type="hidden" name="price" value="25" /><input type="hidden" name="product_tmp" value="Ba-gua Various Masters on the Circle II" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<span id='Sword, Cloak and Cup' ></span><h2>Sword, Cloak and Cup</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/dvdswordcloak.jpg" alt="" width="100" height="167" border="0" /></p>
<p>This is a two day INTRODUCTORY intensive on the use of the sword, the cloak and the cup which was taught to one of my visiting students Moria. Included are the basic strokes of the old saber (not sport fencing) and how to do drills to become skillful at combining the whipping of the cloak with the use of the saber as well as the use of the cup (whether with water or poison). Students of Rensaissance Swordsmanship or Society for Creative Anachronism members will find this very fascinating and also very fun. I basically taped Moria&#8217;s private lessons for two days &#8220;warts and all&#8221;. We had wonderful weather and beautiful locations in the rolling hills of Brittany and even managed to do some of the training at the ancient Chapel of the Seven Saints which is in part and ancient Druid stone work here in Brittany. Besides the sword work we also worked on The Amazon Dance-my condensed self defense choreography designed for females. All the basics of this very lethal &#8220;dance&#8221; are on this DVD.</p>
<p><em>Running time is 1 hour and 4 minutes</em><br />
<em>Price is $65 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Sword, Cloak and Cup" /><input type="hidden" name="price" value="65" /><input type="hidden" name="product_tmp" value="Sword, Cloak and Cup" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em><br />
<em> plus shipping from here in France.<br />
(the older dvds are shipped from within the US). </em></p>
<span id='Chen Pan-ling Ba Gua / Hsing I' ></span><h2>Chen Pan-ling Ba Gua / Hsing I</h2>
<div class="wp-caption alignright" style="width: 104px"><img style="border: 0pt none;" src="/images/wob/video_cpl_bahsing.gif" alt="" width="94" height="142" border="0" /><p class="wp-caption-text">Video Companion to the Pa Kua and Hsing I Texts of Chen Pan-Ling</p></div>
<p>This video covers the instruction of both Ba Gua Zhang (Pa Kua Chang) and Hsing I Chuan (Xing Yi Quan), two “internal” Chinese Martial Art styles. The forms shown can also be found in the two accompanying books, &#8220;Pa-kua&#8221;, and &#8220;Hsing-I&#8221;.</p>
<p><em>Price is $29.95 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Chen Pan-ling Ba Gua / Hsing I" /><input type="hidden" name="price" value="29.95" /><input type="hidden" name="product_tmp" value="Chen Pan-ling Ba Gua / Hsing I" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object></em></p>
<p>See current accompanying Books: <a href="#Hsing%20I">Hsing I</a> and <a href="#Pa-kua">Pa-kua</a>.</p>
<span id='Survey of the Hsing-I of Chang Chuen Feng (Xing Yi System)' ></span><h2>Survey of the Hsing-I of Chang Chuen Feng (Xing Yi System)</h2>
<p>Functions / Fighting Applications<br />
This overview was originally done for students who had already learned the five fists, from other systems. This is from the same style that Allen teaches at Physical Training Traditions. It includes ways of training the 5 fists, two linking forms, eight hands and all the animals. Only one fist is shown but the principles demonstrated are applicable to all the five fists.</p>
<p><em>Price is $29.95 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Survey of the Hsing-I of Chang Chuen Feng" /><input type="hidden" name="price" value="29.95" /><input type="hidden" name="product_tmp" value="Survey of the Hsing-I of Chang Chuen Feng" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object> </em></p>
<span id='Yogas from Egypt' ></span><h2>Yogas from Egypt</h2>
<p>The postures of this little known form of Yoga are excellent for developing the spine and its anatomical emphasis is on the shoulder blades and brachial plexus (base of the neck). The breath holding and bending has commonalities with some of the ancient Persian Yogas as well. These forms are fantastic for wrestlers. (about one hour).</p>
<p><em>Price is $35 <object><form method="post" class="wp-cart-button-form" action="" style="display:inline" onsubmit="return ReadForm(this, true);"><input type="image" src="http://apittman.com/images/AddToCart_grey.png" class="wp_cart_button" alt="Add to Cart"/><input type="hidden" name="product" value="Yogas from Egypt" /><input type="hidden" name="price" value="35" /><input type="hidden" name="product_tmp" value="Yogas from Egypt" /><input type="hidden" name="cartLink" value="http://apittman.com/blog/?feed=pages-rss" /><input type="hidden" name="addcart" value="1" /></form></object> </em></p>
<span id='Books' ></span><h1>Books</h1>
<span id='The Cutting Edge' ></span><h2>The Cutting Edge</h2>
<div class="wp-caption alignright" style="width: 110px"><img class=" " style="border: 0pt none;" src="/images/wob/book_newhoplite.jpg" alt="" width="100" height="144" border="0" /><p class="wp-caption-text">The Cutting Edge</p></div>
<p>Allen&#8217;s latest released writing is on Hoplite Warfare and is Chapter 6 of &#8220;The Cutting Edge&#8221; compiled by Barry Molloy available from Nonsuch Publishing Service:<br />
The Mill, Brimscombe Port,<br />
Stround, Gloucestershire GL5 2QG<br />
email: <a href="javascript:DeCryptX('tbmftAufnqvt.qvcmjtijoh/dpn')">&#115;&#97;&#108;&#101;s&#64;te&#109;pus&#45;&#112;ublis&#104;&#105;&#110;&#103;.c&#111;m</a></p>
<span id='Walking the I-ching' ></span><h2>Walking the I-ching</h2>
<div class="wp-caption alignright" style="width: 110px"><img style="border: 0pt none;" src="/images/wob/WalkingChing.jpg" alt="" width="100" height="133" border="0" /><p class="wp-caption-text">Walking the I Ching</p></div>
<p>By Allen Pittman.<br />
Available from <a href="http://www.northatlanticbooks.com/catalog/display.pperl?isbn=9781583942147" target="_blank">North Atlantic Press</a></p>
<ul>
<li><a href="http://bluesnakeblog.wordpress.com/2008/07/10/author-of-walking-the-i-ching-allen-pittmans-upcoming-workshops/" target="_blank">View their blog post.</a></li>
</ul>
<p><em>Gao System 64 Linear Tactics • After Creation Stage</em><br />
This book is the first English exposé with the forms and their shamanistic, trans-cultural connections. Allen is a lineage holder in the system and believes it is time this particular information is released to the public due to the exigencies present at this point in history.</p>
<span id='Pa-kua' ></span><h2>Pa-kua</h2>
<div class="wp-caption alignright" style="width: 103px"><img style="border: 0pt none;" src="/images/wob/book_pakua.jpg" alt="" width="93" height="270" border="0" /><p class="wp-caption-text">Pa-Kua Book</p></div>
<p>By Allen Pittman &amp; Robert Smith<br />
*** Now translated into the Russian language &amp; available in Russia from Phoenix Publishers ***</p>
<p style="padding-left: 30px;"><em>&#8220;The covers were changed and some clueless chap was put on the front-I don&#8217;t know why.&#8221; &#8212; Allen</em></p>
<p style="padding-left: 30px;"><em>“An excellent pictorial presentation of the art.” &#8212; John FD. Gilbey, author of <span style="text-decoration: underline;">Secret Fighting Arts of the World</span></em></p>
<p>Highly effective for both fighting and health, this form of Pa-Kua (Ba Gua Zhang) was condensed by Chen Pan-ling from a variety of sources before the Communist Revolution. Chen held a panel in the 1940&#8242;s and, with the help of 20+ experts, created a curriculum of Chinese Martial Arts. Although most was lost in the Revolution, this form of Ba Gua summarizes his research. The text introduces the theory and form behind the art.</p>
<p>Available from the publishers.<br />
See current accompanying DVD: <a href="#Chen%20Pan-ling%20Ba%20Gua%20/%20Hsing%20I">Chen Pan-ling Ba Gua / Hsing I</a>.</p>
<span id='Hsing I' ></span><h2>Hsing I</h2>
<div class="wp-caption alignright" style="width: 104px"><img style="border: 0pt none;" src="/images/wob/book_hsingi.jpg" alt="" width="94" height="280" border="0" /><p class="wp-caption-text">Hsing - I Book</p></div>
<p>By Allen Pittman &amp; Robert Smith<br />
***Now translated into the Russian language &amp; available in Russia from Phoenix Publishers***</p>
<p style="padding-left: 30px;"><em>&#8220;the covers were changed and some clueless chap was put on the front-I don&#8217;t know why&#8221; &#8212; Allen</em></p>
<p style="padding-left: 30px;"><em>“A welcome addition to books on the &#8216;soft&#8217; arts by a recognized international expert on hand-to-hand combat.” &#8212; The Washington Post Magazine</em></p>
<p>Highly effective for both fighting and health, this form of Hsing I (Xing Yi Quan) was condensed by Chen Pan-ling from a variety of sources before the Communist Revolution. Chen held a panel in the 1940&#8242;s and, with the help of 20+ experts, created a curriculum of Chinese Martial Arts. Although most was lost in the Revolution, this form of Hsing I summarizes his research. The text introduces the theory and form behind the art.</p>
<p>Available from the publishers.<br />
See current accompanying DVD: <a href="#Chen%20Pan-ling%20Ba%20Gua%20/%20Hsing%20I">Chen Pan-ling Ba Gua / Hsing I</a>.</p>
<span id='Commentaries on Agrippa' ></span><h2>Commentaries on Agrippa</h2>
<p><img class=" alignright" style="border: 0pt none;" src="/images/wob/book_agrippa.gif" alt="" width="94" height="140" /></p>
<p>By Allen Pittman</p>
<p>Available from the publishers.</p>
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]]></description><link>http://apittman.com/blog/store</link></item>
<item><title>Trees in Ba Gua</title><description><![CDATA[<span id='Their Meaning and Importance' ></span><h1>Their Meaning and Importance</h1>
<p><em> &#8212; by Allen Pittman</em></p>
<p>In both the texts of Gao and his student, Chang Chuen-feng, the symbol of the tree is emphasized. The tree has value, both as practical training, and as an esoteric teaching method. It&#8217;s a transcultural symbol which occurs in many religious traditions.</p>
<p>In some of the most ancient Central Asian traditions of Shamanism, the Evergreen tree is what one enters in meditation to commune with other beings throughout time and space (see Dr. Charles Muses&#8217; <em>&#8220;Shamanic Lion Path&#8221;</em>).</p>
<p>In Ba Gua the tree is the center of one&#8217;s circle-walking exercise. It can also serve as a reference point for practicing tactics. This is probably how the “wooden-man” exercises common to many Chinese boxing methods evolved. A tree is particularly useful for working on techniques using the shoulders and hips, though I do not advocate striking one with the hands or feet. The Indian wrestler Gama, one of the greatest known wrestlers of all time, belted himself to a tree each morning and practiced isometric lifting. He said men were easy to lift after trying to do that!</p>
<p>The circle-walking exercise around the tree occupies the later third of the system of Gao. The tree is also a handy mnemonic device in Ba Gua. In Gao&#8217;s text it is the roots of the tree that are the twenty-four “Heavenly Gates” or beginners&#8217; exercises. The trunk represents the sixty-four tactics. The branches or fruits and flowers of the tree are the “Eight Mother Palms” or “Eight Changes.”</p>
<p>This way of remembering is reminiscent of the schools of the Druids of Ireland who taught among the Oak groves. Father Simeon, of St. Isaac of Syria skete in Wisconsin (a Russian Orthodox Monastery) once told me of one of his teachers who had said, “Practice praying to a tree for awhile &#8211; <em>then try God</em>.”</p>
<p>Because of the dearness and importance of the trees I put below a quote from Edmund Bordeaux Szekely&#8217;s <span style="text-decoration: underline;">The Essene Teachings of Zarathustra</span>,page 21. This quote is relevant to both Ba-gua and life on Earth in general.</p>
<blockquote>
<div>THE CULT OF BROTHER TREE</div>
<p>“Another very interesting cult in the Avestas is the cult of &#8216;Brother Tree&#8217;. According to Zoroaster, men and trees are brethren and cannot live and develop fully without one another. He asserts that the tree is the most perfect form of life in the vegetable kingdom, and that likewise man represents the highest degree of evolution attained in the animal kingdom.</p>
<p>The highest form of food on this planet is the product of trees-their fruits-and man, as the highest in the animal kingdom, should be nourished by such food. The symbiosis of men and trees furnishes the most harmonious environment for human health and longevity.</p>
<p><em>“A tree is the Law itself”</em> declares the Avestas, meaning by this the life of a tree is in complete harmony with the forces and laws of nature. The metabolism of a tree is the most perfect natural manifestation of life itself. Besides yielding the most perfect food for man, trees maintain the fertility and vitality of the soil; they protect the earth from desiccation by sun and wind; they preserve the life-giving moisture of the top-soil with their periodic carpet of fallen leaves and fruit; their roots drain away any excess of humidity and thereby maintain the perfect precondition of life-a rich and healthy soil.</p>
<p>Several of the Avestic hymns glorify the tree as the brother of man, and according to these it is a crime to cut down a tree without planting at least two others in its place. According to the Avestas a Zoroastrian father must plant a tree at the birth of his child and again on his anniversary. When the child becomes twenty-one years old, the father must give the trees he has planted and the land they stand on to the child as his inheritance, so that he may enjoy the necessary food and land-small in extent thought this may be-which will provide the basic needs of his life. This teaching is a late survival from the ancient heliolithic tradition concerning our primitive ancestor, known as Homo Sapiens Sylvanus, who dwelt in the forests. This tradition is confirmed by the work of Darwin, Lamarck, Cuvier and other scientists of the modern age.”</p></blockquote>
]]></description><link>http://apittman.com/blog/east/chinese-arts/ba-gua/articles/trees-in-ba-gua</link></item>
<item><title>Articles</title><description><![CDATA[<span id='Single Palm Change: Bagua&#8217;s Core Movement' ></span><h2><a href="./?page_id=152">Single Palm Change: Bagua&#8217;s Core Movement</a></h2>
<p>Article with Pictures is a series of jpg images.<em> &#8212; by Allen Pittman</em></p>
<span id='Links between Hung I-Mien, Wang Su &#8211; Chin and Chang Chuen-Feng' ></span><h2><a href="./?page_id=153">Links between Hung I-Mien, Wang Su &#8211; Chin and Chang Chuen-Feng</a></h2>
<p>Allen&#8217;s Notes to the essay below<em> &#8212; by Allen Pittman</em></p>
<span id='Ba Gua Lineages' ></span><h2><a href="./?page_id=154">Ba Gua Lineages</a></h2>
<p>Wang Shujin or Chen Panling?<br />
Informative piece on Ba Gua Lineages<em> &#8212; by Marnix Wells, PhD</em></p>
<span id='Ba Gua Circle-Walking' ></span><h2><a href="./?page_id=155">Ba Gua Circle-Walking</a></h2>
<p>The Tree in The Training of The Circle<em> &#8212; by Allen Pittman</em></p>
<span id='Trees in Ba Gua' ></span><h2><a href="./?page_id=156">Trees in Ba Gua</a></h2>
<p>Their Meaning and Importance.<em> &#8212; by Allen Pittman</em></p>
<span id='Traditional Indian Dance and Ba gua zhang' ></span><h2><a href="./?page_id=157">Traditional Indian Dance and Ba gua zhang</a></h2>
<p>Allen discusses the intriguing connections between the two, as well as the connections to other martial arts.<em> &#8212; by Allen Pittman</em></p>
]]></description><link>http://apittman.com/blog/east/chinese-arts/ba-gua/articles</link></item>
<item><title>W. E. Fairbairn: British Pioneer in Asian Martial Arts</title><description><![CDATA[<p><em>&#8211; by Allen Pittman</em></p>
<ul>
<li>All photographs courtesy of Allen Pittman</li>
<li>Published in the <em>Journal of Martial Arts</em>, Volume 6 Number 2, 1997</li>
</ul>
<div id="attachment_777" class="wp-caption alignright" style="width: 310px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/Fairbairn_Okada.jpg"><img class=" wp-image-777  " title="Fairbairn_Okada" src="http://apittman.com/blog/wp-content/uploads/2011/06/Fairbairn_Okada-300x244.jpg" alt="" width="300" /></a><p class="wp-caption-text">W. Fairbairn with Bonesetter and Jujutsu expert, Professor Okada. Shanghai, 1908.</p></div>
<p>When I was eight, my father had a commando knife that fascinated me.<br />
I later learned it was called the &#8220;Fairbairn-Sykes Commando Knife.&#8221; In my twenties, while studying Chinese boxing with Robert W. Smith, Smith mentioned &#8220;knife and gunners&#8221; and W. E. Fairbairn. Around the same time, a friend told me he had found one of Fairbairn&#8217;s original books. My interest piqued, I ended up at the Library of Congress, the National Archives, and eventually Pennsylvania State University, with archivist John Heppell. Mr. Heppell had been put in charge of ordering the Yeaton family papers, which contained correspondence from W. E. Fairbairn to Lt. Samuel Yeaton of the Third Raider Marines. Lt. Yeaton had died, but his younger brother, Kelly, a retired professor of drama, was still alive. He and his wife, Ruth, were kind enough to meet me and discuss Fairbairn, his knife, and other subjects of interest. Kelly had written a detailed unpublished book (1933) on the origins of the Fairbairn-Sykes Commando Knife. After my visit with the Yeatons, I went to England to visit Dorothea Fairbairn, W. E. Fairbairn&#8217;s daughter.</p>
<div id="attachment_780" class="wp-caption alignleft" style="width: 310px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/Fairbairn_Certificate.jpg"><img class="size-medium wp-image-780" title="Fairbairn_Certificate" src="http://apittman.com/blog/wp-content/uploads/2011/06/Fairbairn_Certificate-300x202.jpg" alt="" width="300" height="202" /></a><p class="wp-caption-text">Fairbairn&#39;s certificate recording his second degree ranking from the Kodokan, Tokyo, signed by Kano Jigoro on February 18, 1931.</p></div>
<p>William Ewart Fairbairn was born in Hertfordshire, England, on February 28, 1885. He was named after Prime Minister William Ewart Gladstone. His family, whom his daughter describes as &#8220;hot-footed liberals,&#8221; saw their fourth child join the Royal Marines at age fifteen and a half and sail to Korea. During the six and a half years of service, he altered uniforms. &#8220;He was cleaver with his hands &#8230;&#8221; his daughter recalls (Fairbarn, 1994). He turned the uniforms inside out resewing them and making enough money to buy his commission (i.e., discharge, an orthodox practice at the time). He returned to England and married. It was 1907 and the military was not a desirable career for a man wanting to marry, so he bought his commission and went to Shanghai, joining the municipal police as a constable. Beaten to unconsciousness during one of his rounds in the brothel district (it was not unusual for policemen to be brought in unconscious, draped across a rickshaw), he awoke in a hospital room seeing a placard on his bed table that said, &#8220;Professor Okada, Jujutsu and Bonesetting.&#8221; He began a three-and-a-half year study with Prof. Okada.</p>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/PoliceForce.jpg"><img class=" wp-image-778  alignright" title="PoliceForce" src="http://apittman.com/blog/wp-content/uploads/2011/06/PoliceForce-253x300.jpg" alt="" width="180" /></a></p>
<p>In 1910, Fairbairn was promoted to sergeant and musketry and drill instructor. Over the next ten years, he responded personally to many armed encounters. During this period, he also began studying &#8220;Chinese boxing&#8221; under Cui Jingdong, instructor to the Dowager Empress&#8217; retainers (Fairbairn, 1931, intro.). Cui was likely a student of famed bagua master Yin Fu, who was a personal bodyguard to the empress (Smith, 1967:17). The Cui and Yin connection is tentative, but certainly both men were close enough to the empress to provide information on court goings-on and news from outside the court. Deacon (1974:64) states the eunuchs (of whom some were bodyguards) had more influence at this time than many government officials. He also says a primary function of the Chinese intelligence service at this time was the retrieval of antiques stolen from the palace. Yin&#8217;s bagua teacher, Dong Haiquan, spent considerable time doing this. Because of this link between eunuchs, boxers, intelligence agents, and antiques, it is safe to surmise Fairbairn had a considerable link through Cui to Chinese intelligence practices and information. It is interesting to note the clandestine weaponry used by boxers of this period and illustrated in Wan Laisheng&#8217;s <em>Essential Focus of Martial Arts</em> bears striking similarities to some of the weapons Fairbairn later designed for the Commandos.</p>
<p>In 1918, Fairbairn began studying at the Kodokan. He received his <em>shodan </em>(first degree black belt) in 1926 and his <em>nidan </em>(second degree) in 1931. Both certificates were signed by Kano Jigoro, the founder of judo. He was not the first Caucasian to receive a black belt in judo (E. J. Harrison had started at the Kodokan in 1904).</p>
<p>In 1925 with the mob violence of Shanghai escalating and police losses increasing, Fairbairn was asked to restore order by any means necessary. With characteristic initiative, he began developing the Temporary Reserve Unit (later simply termed Reserve Unit), which pioneered most SWAT techniques used today.</p>
<p>From 1932 to 1937, Chinese-Japanese hostilities escalated. In 1935, Fairbairn was promoted to assistant commissioner of the Shanghai Municipal Police (SMP). <em>North-China Daily News </em>press accounts show a busy time. Often criminals would go from one concession or area of Shanghai to another falling under different legal jurisdictions. When pursuit became necessary, Fairbairn was often seen manning the machine gun on top of one of his armored vans. Sometimes he even shot up at Japanese aircraft, which flew overhead often gunning down civilians.</p>
<p>Fairbairn stayed alive and learned. He marked SMP bullets so they could be traced. He taught his men to move in a crouch, noting that it was an instinctive position when under threat. What brought the practicality of the matter to light was a clothesline strung across an alley. He developed a method to teach men to shoot instinctively and corded pistols to epaulets for retrieval in the dark. He taught his men how to run along roof tops and scale walls with a single beam. Sikhs were brought in to teach stick fighting (<em>lathe</em>) and Shandong martial artists were employed to teach knife techniques. He cross referenced daily experiences in police work with his studies and developed techniques and tools of his own. Over a thirty-year period, he developed the first bulletproof vest and a system of teaching one of the first multinational police forces with officers from around the world: China, Russia, India, Japan, Europe, United States, Canada, and Australia. Ammunition was monitored and its performance recorded, and daily accounts of equipment usage and maintenance were kept. Pistols were modified: the sights enlarged and chrome plated for night vision, trigger guards were removed for faster action (but not for general issue), handles were grooved for a better grip, and concealed holsters for pistols and knives were designed. He and his Russian armorer, Solntseff, also experimented with using dogs, Great Danes, for police work. The dogs worked well, but a culture gap intervened—the Chinese policemen would not work with them. The idea was scrapped but others were not. Among these, a mock opium den for police to train in—a step would give way sending them rolling into the dark while lights flashed and shots rang out. The new recruit had to orient and shoot in the dark. This exercise and others were later transferred to the Commandos, other special units, and later to the Office of Strategic Services (OSS; the precursor to the Central Intelligence Agency). The skill of falling down stairs was a Fairbairn specialty and he sometimes did it in local plays. He taught the technique to Douglas Fairbanks, who wrote the preface to Fairbairn&#8217;s book, <em>Scientific Self Defense</em>.</p>
<div id="attachment_781" class="wp-caption alignleft" style="width: 310px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/HoldEverything.jpg"><img class="size-medium wp-image-781" title="HoldEverything" src="http://apittman.com/blog/wp-content/uploads/2011/06/HoldEverything-300x267.jpg" alt="" width="300" height="267" /></a><p class="wp-caption-text">Christmas greeting card signed from W. E. Fairbairn, Shanghai Municipal Police.</p></div>
<p>As a major international port, Shanghai was one of the toughest cities in the world. New arrivals came in needing neither a visa nor passport and many carried on illegal trade. Silk and tea were the chief exports and opium, one of Shanghai&#8217;s biggest businesses, was legal as long as it was kept on ships. Several organized crime rings bought and sold it fueling Shanghai&#8217;s incredibly violent economy. Fairbairn said that Shanghai police fired more rounds in one month than their Chicago counterparts did in a year. The Shanghai police also had to study a language in addition to their native tongue. If they did not, they were released from the force. Fairbairn considered fluent communication to be essential and had among his many teachers a tutor for Shanghaiese. Having little formal education, he developed remarkable skill in finding experts in any field of study he needed access to. Necessity urged him to constantly improve his awareness. He was always armed, carried a bulletproof vest in his car, and during the &#8220;troubles&#8221; of 1937, kept a machine gun in the hallway, and would coat his stomach with olive oil if he went to a social function that necessitated toasts.</p>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/FairbairnPolice.jpg"><img class="size-medium wp-image-782 alignright" title="FairbairnPolice" src="http://apittman.com/blog/wp-content/uploads/2011/06/FairbairnPolice-268x300.jpg" alt="" width="268" height="300" /></a></p>
<p>One day after work he met a Japanese ship&#8217;s captain for tea. He and the captain, a fellow judoka, exchanged pleasantries that were suddenly punctuated by screams and gunfire. Afterward, Fairbairn found his way to the source of the commotion: nearby, along the docks, and underneath a shed were 150 Chinese men, women, and children tied and blindfolded. Fairbairn turned to the captain and asked what the problem was. The captain indicated they would be shot. Fairbairn&#8217;s reply was suitably to the point, &#8220;If you change your mind, you know where to find me &#8230; and I certainly know where to find you.&#8221; He returned to the police station where he received a telephone call, &#8220;Come at once. You can take them.&#8221; Among those saved were several pregnant women, one with eighty bayonet wounds and others with knife and gunshot wounds (Fairbairn, 1994).</p>
<p>Often bringing work home (his house was in the police compound), he still succeeded in teaching his daughter how to grow silk worms and draw the silk, build an ant farm, and take her to watch the making of bulletproof vests and the work in the armory. He also showed her a confiscated rigged roulette wheel. However, &#8220;He despised gambling,&#8221; his daughter recalls.</p>
<p>His living mode in an international city was to play the cosmopolitan citizen to the full. His response to the comment of a Chinese mill owner friend that no foreigner could breed fan-tail gold fish was the spur to start breeding them and to display them in the police compound&#8217;s Japanese style garden. His daughter recalls him doing a bonsai experiment with a morning glory, growing it to the size of a soup plate. He socialized with people from the many concessions of Shanghai: French, German, Russian, Indian, Chinese, Japanese, etc. with games ranging from bridge to mahjong. Mr. Y. Miura, the Consular General of Japan, in his capacity as President of the Shanghai Branch of the Butoku-kai, would eventually recognize Fairbairn for his &#8220;&#8230; keenness &#8230; initiative &#8230; open heartedness and generosity&#8221; (Fairbairn, 1994). Representatives from other countries also praised him and he became one of the few men in Shanghai respected by every country.</p>
<p>In his life, Mr. Fairbairn built bridges to people from every country and his own officers often came to him for advice on personal matters. He even had a fund for prisoners returning home from Shanghai so they would return in a new suit and money in their pocket ready for a fresh start. Once, one of his Chinese friends had a wife who went missing. Fairbairn mounted a search for and found her, preventing a family scandal. He had the gift of being able to cope with life in its multiplicity. &#8220;He was strict in temperament, but kind,&#8221; his daughter recalls, &#8220;&#8230; he never swore, believing it was unnecessary and undignified. Once he walked out on dinner with some American officers whose conversation was unpalatable. They sent a messenger to ask why, he told them and they apologized&#8221; (Fairbairn, 1994).</p>
<p>After he retired from the Shanghai bustle as assistant police commissioner, he returned to England. With his friend, Eric Anthony Sykes, he applied to the Government War Office. At the time, the Special Operations Executive branch had just started Aston House in Hertfordshire (a training center for intelligence officers) and they were looking for staff. Fairbairn looked at the new prospectus for the officers and told them he knew what they needed. Both he and E. A. Sykes were appointed instructors. So began the vision of Lt. Col. Dudley Clark [1]—his &#8220;Commandos,&#8221; whom Churchill called &#8220;Hunter Class Soldiers,&#8221; began their training in Scotland running up Ben Nevis Mountain; practicing amphibious landings along the rocky coast; studying demolition work; living off the land; and studying empty-hand fighting, knife fighting, and instinctive shooting with Fairbairn and Sykes. In Scotland&#8217;s mountain cold, they learned survival from the mountain hunters, or &#8220;Ghillies,&#8221; who advised them to dip their kilts in the water so they would ice up for additional insulation.</p>
<p>Later, this rugged coastal training would be given to U.S. soldiers by Fairbairn&#8217;s Irish right-hand man, Pat O&#8217;Neill, whose men were to show incredible speed and stealth in their amphibious landings, breaking the records of other divisions and doing so in the dark. A naval ensign wrote, &#8220;The best Army division averages about one minute per platoon load from the first man over to the time the boat pulled away. The Marines did it in fifty-two seconds, which was the best we had seen till then. But these guys did it in thirty five seconds, with absolute silence, a minimum of commands, and carrying full combat loads&#8221; (Aldeman and Watson, 1966:93).</p>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/FairbairnPolice2.jpg"><img class="size-medium wp-image-783 alignleft" title="FairbairnPolice2" src="http://apittman.com/blog/wp-content/uploads/2011/06/FairbairnPolice2-194x300.jpg" alt="" width="194" height="300" /></a></p>
<p>Fairbairn was sent to Canada and the U.S. He trained the first OSS group from 1942-1945. According to OSS history, &#8220;His ability is handling men (and women) as well as weapons made him one of the most popular members of the S&amp;T staff. &#8230; In passing it should be mentioned that Major Fairbairn played a large part in the building of the programs &#8230; not only by his unquestioned knowledge and skill in the fine arts of individual attack and self defense, but also by his personality which helped to build the morale of paramilitary instructors to a very high level. &#8230; His temporary loan period extended into an almost permanent stay. He was constantly used in the training program, and he helped to build a large cadre of competent instructors&#8221; (Stafford, 1987:72). Fairbairn&#8217;s way of teaching and his quiet intensity were remarkable. In <em>Knights of the Floating Silk</em>, Langelaan described him as follows: &#8220;Off duty his conversation was limited to two words; yes and no. I never once saw him pick up a newspaper or a book. All his interest, all his knowledge, all his intelligence, and he was intelligent, concentrated on one subject and one subject only—fighting&#8221; (Stafford, 1987:68). Other trainees found him &#8221; &#8230; vain, domineering and egotistical&#8221; (Stafford, 1987:70). However Fairbairn was viewed, his teaching was effective. According to Thomas Powers, &#8221; lt put a man in the right frame of mind. &#8230; It gave him a bearing of confidence, and it let him know the nature of the business in which he was engaged&#8221; (Stafford, 1987:71).</p>
<span id='Lecture' ></span><h1>Lecture</h1>
<p>The following is a re-created Fairbairn lecture, which gathers together main ideas from his books and personal accounts. Frank Gleason (1933), one of the early OSS demolitions men, remembers a room full of eager and young recruits. &#8220;We knew Fairbairn knew what he was doing.&#8221; After being introduced, Fairbairn, a white-headed slender fellow standing 5&#8242; 11&#8243; with bright blue eyes walks to the podium and in a British accent addresses the recruits, &#8220;The skills you will be trained in are not to be confounded with Japanese jujutsu, Chinese &#8216;boxing&#8217; or any known method of self-defense. Some of the tactics we use are combinations of these arts. Most of what we teach is entirely original. Our system is drastic and unpleasant. It must be realized when you are dealing with an enemy that wants to eliminate you and your nation that there is no room for scruples. In war, your attack can only have two objectives: to kill or capture your enemy. To capture him, you will need to disable him. We advise you to master ten techniques. This means the movements must be quick and automatic. Every movement should off balance your enemy or allow you to evade him so you can strike or grasp. You will get no extra points for injuring your partner. Begin slowly and increase speed as you grow accustomed to the movements. Later use your &#8216;beef&#8217; on the practice dummy. Today, we will look at hand blows and where to hit. May I have a volunteer?&#8221;</p>
<p>Fairbairn taught men of the Destroyer Command and the U.S. Marines in 1942. Two years later he was promoted to lieutenant colonel and, in April 1945, he was awarded the Legion of Destroyer Command and the U.S. Marine Merit Medal. He captivated President Truman with his tales and tools causing nail biting among aides and bodyguards who waited impatiently, for several hours, outside the closed doors of the Oval Office. He participated in panel lectures on China at Georgetown University in 1945 and wrote several books including <em>Defundu </em>(1926), <em>Scientific Self-Defense</em>, <em>Get Tough </em>(1931; now reprinted), <em>Shooting to Live </em>(1942; with E.A. Sykes), <em>All In Fighting </em>(1942), and <em>Self-Defense for Women </em>(with his daughter). He also assisted in training films for the OSS and received the Legion of Merit, Degree of Officer (1946). He was one of the few men who worked for three governments: U.S., Canada, and England.</p>
<p>After the War, he returned to England and continued to teach making trips to teach police in Cyprus (1956) and Singapore (1952). He died June 20, 1960 at his home in Lancing, West Sussex, England. He left a son, now deceased, and a daughter without whom this article could not have been written. His notable students included Ian Fleming of James Bond fame and Richard Donovan, first head of C.l.A.</p>
<p>The London lad with hope became both a father and a citizen of the world. W. E. Fairbairn was a stern but kind teacher to hundreds of people of every race and an admirable pioneer in the study of Asian martial arts.</p>
<span id='Technical Section' ></span><h1>Technical Section</h1>
<p>The following are a sample of Fairbairn&#8217;s techniques. Opponent size figures in heavily with some of these techniques; however the reader can get a sense of what was being taught around 1933. The names given are my own. Some of the techniques are from his books, others from private manuscripts.</p>
<span id='The Outside Twist' ></span><h2>The Outside Twist</h2>
<p>Fairbairn preferred recruiting from Shandong Province and this particular technique is very close to the basic chinna taught there.</p>
<div id="attachment_784" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/a1.jpg"><img class="size-medium wp-image-784 " title="a1" src="http://apittman.com/blog/wp-content/uploads/2011/06/a1-234x300.jpg" alt="" width="270" /></a><p class="wp-caption-text">With his right hand, A (in the white shirt) grabs B&#39;s left thumb behind the knuckles, fingers on the inside (or heel) of the hand.</p></div>
<div id="attachment_785" class="wp-caption alignright" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/a2.jpg"><img class="size-medium wp-image-785 " title="a2" src="http://apittman.com/blog/wp-content/uploads/2011/06/a2-233x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">A turns and bends B&#39;s hand obliquely to the left.</p></div>
<div style="width: 800px; float: right; color: transparent; font-size: 1px;">.</div>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/a3.jpg"><img class="size-medium wp-image-786   alignleft" title="a3" src="http://apittman.com/blog/wp-content/uploads/2011/06/a3-194x300.jpg" alt="" width="270" height="300" /></a></p>
<div id="attachment_787" class="wp-caption alignright" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/a4.jpg"><img class="size-medium wp-image-787 " title="a4" src="http://apittman.com/blog/wp-content/uploads/2011/06/a4-233x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">To augment the movement, A passes his left hand under B&#39;s left upper arm and hooks B&#39;s wrist.</p></div>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/a5.jpg"><img class="size-medium wp-image-788  alignleft" title="a5" src="http://apittman.com/blog/wp-content/uploads/2011/06/a5-300x196.jpg" alt="" width="400" height="392" /></a></p>
<span id='The &#8220;Water Pump&#8221;' ></span><h2>The &#8220;Water Pump&#8221;</h2>
<div id="attachment_791" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/b1.jpg"><img class="size-medium wp-image-791 " title="b1" src="http://apittman.com/blog/wp-content/uploads/2011/06/b1-223x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">With his left hand, palm down, A grabs B&#39;s left wrist.</p></div>
<div id="attachment_792" class="wp-caption alignright" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/b2.jpg"><img class="size-medium wp-image-792 " title="b2" src="http://apittman.com/blog/wp-content/uploads/2011/06/b2-214x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">A lifts B&#39;s left wrist up, twisting it and reaches over B&#39;s left shoulder with his right hand to hold the back of B&#39;s occiput.</p></div>
<div id="attachment_793" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/b2a.jpg"><img class="size-medium wp-image-793 " title="b2a" src="http://apittman.com/blog/wp-content/uploads/2011/06/b2a-228x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">A pumps B&#39;s left arm clown over his own right.</p></div>
<span id='Lapel Come Along' ></span><h2>Lapel Come Along</h2>
<p>Often found in old jujutsu books, the problem here is an opponent with very long arms.</p>
<div id="attachment_794" class="wp-caption alignleft" style="width: 354px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/c.jpg"><img class="size-full wp-image-794 " title="c" src="http://apittman.com/blog/wp-content/uploads/2011/06/c.jpg" alt="" width="344" height="316" /></a><p class="wp-caption-text">Using the same opening movement as the Water Pump, A reaches across B&#39;s chest with his right hand to grasp the lapel or shirt well up on B&#39;s right chest. A twists B&#39;s wrist at the same time, twisting B&#39;s arm and pushing him away with his right grip.</p></div>
<span id='Pull and Raise' ></span><h2>Pull and Raise</h2>
<p>A technique from the letters of Lt. Col. Sam Yeaton.</p>
<div id="attachment_795" class="wp-caption alignleft" style="width: 242px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/d1.jpg"><img class="size-full wp-image-795" title="d1" src="http://apittman.com/blog/wp-content/uploads/2011/06/d1.jpg" alt="" width="232" height="317" /></a><p class="wp-caption-text">With his right hand, A raises B&#39;s left wrist up and out to the side.</p></div>
<div id="attachment_796" class="wp-caption alignright" style="width: 251px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/d2.jpg"><img class="size-full wp-image-796" title="d2" src="http://apittman.com/blog/wp-content/uploads/2011/06/d2.jpg" alt="" width="241" height="318" /></a><p class="wp-caption-text">A slaps B&#39;s occiput while keeping upward torque on B&#39;s arm, bringing B&#39;s head down.</p></div>
<div id="attachment_797" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/d3.jpg"><img class="size-full wp-image-797 " title="d3" src="http://apittman.com/blog/wp-content/uploads/2011/06/d3.jpg" alt="" width="270" height="692" /></a><p class="wp-caption-text">A raises his left knee to meet B&#39;s descending face.</p></div>
<span id='Turn Away Arm Lock' ></span><h2>Turn Away Arm Lock</h2>
<p>This movement known around the world and popular among the ancient Greeks can be used with some deviation as a throw to either side. The use of the elbow at first seems to deprive the practitioner of control, but on the receiving end it seems to make no difference.</p>
<div id="attachment_798" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/E1.jpg"><img class="size-full wp-image-798 " title="E1" src="http://apittman.com/blog/wp-content/uploads/2011/06/E1.jpg" alt="" width="270" height="663" /></a><p class="wp-caption-text">With his right hand, A grabs B&#39;s right wrist.</p></div>
<div id="attachment_800" class="wp-caption alignright" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/E2.jpg"><img class="size-medium wp-image-800 " title="E2" src="http://apittman.com/blog/wp-content/uploads/2011/06/E2-218x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">Adjusting his feet, A turns rightward, lifts B&#39;s right arm up and over his left shoulder.</p></div>
<div id="attachment_799" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/E3.jpg"><img class="size-full wp-image-799 " title="E3" src="http://apittman.com/blog/wp-content/uploads/2011/06/E3.jpg" alt="" width="270" height="682" /></a><p class="wp-caption-text">A continues the movement, pulling B&#39;s arm down and uses his own left elbow to push B away, augmenting the lock.</p></div>
<span id='Wrist Come Along' ></span><h2>Wrist Come Along</h2>
<p>This is a simple wrist compression. This technique from Fairbairn&#8217;s <em>All In Fighting </em>can also begin by holding your opponent&#8217;s thumb (your own palm must be up).</p>
<div id="attachment_801" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/f1.jpg"><img class="size-full wp-image-801 " title="f1" src="http://apittman.com/blog/wp-content/uploads/2011/06/f1.jpg" alt="" width="270" height="505" /></a><p class="wp-caption-text">With his right hand, A takes B&#39;s left wrist.</p></div>
<div id="attachment_802" class="wp-caption alignright" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/f2.jpg"><img class="size-medium wp-image-802 " title="f2" src="http://apittman.com/blog/wp-content/uploads/2011/06/f2-208x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">A adjusts his feet to stand beside B.</p></div>
<div id="attachment_803" class="wp-caption alignright" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/f3.jpg"><img class="size-full wp-image-803 " title="f3" src="http://apittman.com/blog/wp-content/uploads/2011/06/f3.jpg" alt="" width="270" height="504" /></a><p class="wp-caption-text">A hooks B&#39;s left elbow with his right hand bracing it against his body, and takes B&#39;s left hand with his own left hand, pressing B&#39;s palm in and compressing the wrist.</p></div>
<span id='Head Hold' ></span><h2>Head Hold</h2>
<p>Technique No. 1711 in <em>All In Fighting </em>is shown here. It can be applied around the neck or head.</p>
<div id="attachment_804" class="wp-caption alignleft" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/g1.jpg"><img class="size-medium wp-image-804 " title="g1" src="http://apittman.com/blog/wp-content/uploads/2011/06/g1-210x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">A and B at close range. Notice A&#39;s right hand grasps B&#39;s right elbow preventing B from using his right hand.</p></div>
<div id="attachment_805" class="wp-caption alignright" style="width: 280px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/g2.jpg"><img class="size-medium wp-image-805 " title="g2" src="http://apittman.com/blog/wp-content/uploads/2011/06/g2-209x300.jpg" alt="" width="270" height="300" /></a><p class="wp-caption-text">With his left forearm, A hits B&#39;s neck (not shown) wrapping his left arm around the base of B&#39;s skull.</p></div>
<div id="attachment_806" class="wp-caption alignleft" style="width: 310px"><a href="http://apittman.com/blog/wp-content/uploads/2011/06/g3.jpg"><img class="size-medium wp-image-806" title="g3" src="http://apittman.com/blog/wp-content/uploads/2011/06/g3-300x294.jpg" alt="" width="300" height="294" /></a><p class="wp-caption-text">Continuing the movement of his left arm, A pulls B&#39;s right elbow and turns rightward and downward, throwing B down.</p></div>
<span id='Acknowledgement' ></span><h1>Acknowledgement</h1>
<p>Special thanks to Dorthea Fairbairn for a wonderful but too short afternoon; Prof. Kelly Yeaton and his wife Ruth for a tour of his armory; Colin Fisher for driving me the length of England; Paul Cote for arranging the visits to Prof. Yeaton; Peter Robins for additional grist; Frank Gleason for demolitions; and Harry Johnston for assisting in the photo sequences.</p>
<span id='Note' ></span><h1>Note</h1>
<p>[1] Clark was a staff officer at the War Office in Whitehall outside of London. On the evening of June 4, 1940, he was inspired to write a one page outline after receiving the news of the British withdrawal from Dunkirk. This outline contained the &#8220;Commando&#8221; idea. The next morning he gave this page to Sir John Dill, Chief of the Imperial General Staff. Dill gave the outline to Churchill who approved it. Dill then appointed Clark the task of implementing it (Miller, 1981: 20-21).</p>
<span id='Bibliography' ></span><h1>Bibliography</h1>
<ul>
<li>Aldeman, R., &amp; Walton, G. (1966). The devil&#8217;s brigade. Radnor, PA:<br />
Chilton Publications.</li>
<li>Cassidy, W. (1983). History of the schools and training branch. San Francisco: Kingfisher Press.</li>
<li>Cassidy, W. (April 1979). Shanghai Experiments. Soldier of Fortune.</li>
<li>Cassidy,, W. (September 1979). Fairbairn in Shanghai. Soldier of Fortune.</li>
<li>Deacon, R. (1974). A history of the Chinese secret service. New York: Taplinger.</li>
<li>Dear, i. (1987). Ten commando 1942-1945. London: St. Martin&#8217;s Press.</li>
<li>Fairbairn, D. (1994). Personal interviews conducted in Worthing, W. Sussex.</li>
<li>Fairbairn, W. (1942a). Ail-in fighting. London: Faber and Faber Ltd.</li>
<li>Fairbairn, W. (1942b). Get tough!—How- to win hand to hand fighting as taught to the British commandos and the U.S. armed forces. New York: Appleton Century.</li>
<li>Fairbairn, W. (1931). Scientific self defense. New York: D. Appleton and Co.</li>
<li>Gleason, F. (June 1933). Personal interview conducted in Atlanta, GA.</li>
<li>Miller, R. (1981). The commandos. Alexandria, VA: Time-Life Books.</li>
<li>National Archives. (1993). Records of the Shanghai municipal police<br />
1894-1949. Special Branch files. Washington, DC: National Archives.</li>
<li>Sargeant, H. (1990). Shanghai: Collision point of cultures 1918-1939.<br />
London: Jonathan Cape Ltd.</li>
<li>Smith, R. (1967). Pa-kua: Chinese boxing for fitness and self-defense. Tokyo:<br />
Kodansha International, Ltd.</li>
<li>Stafford, D. (1987). Camp x. New York: Dodd, Mead and Co.</li>
<li>Thompson, L. (April 1990). Fairbairn story of &#8220;world&#8217;s toughest cop.&#8221;<br />
Peterson&#8217;s Handguns.</li>
<li>Wan, L. (1929). Wu-shu hui tsung (Essential focus of Chinese martial arts).<br />
Beijing. Peking Agricultural College.</li>
<li>Yeaton, K. (1933). Pre-Classic: A Shanghai fighting knife. Unpublished. 13pp.</li>
</ul>
]]></description><link>http://apittman.com/blog/about/misc-articles/w-e-fairbairn</link></item>
<item><title>Artistic Statement</title><description><![CDATA[<span id='Initiation' ></span><h1>Initiation</h1>
<div class="wp-caption alignright" style="width: 277px"><img src="/images/Allen2011-training.jpg" alt="" width="267" height="400" /><p class="wp-caption-text">Allen working on the Amazon Dance with Gwyneth Bragdon at the Mask Theater.</p></div>
<p>My work is mainly Body Defined. I have been called &#8220;The Physicalist&#8221;.  Martial arts training, therapeutic protocols and theatrical events  can all have healing qualities. I build my work with healing qualities in mind around Initiation or Rites of Passage. The &#8220;Passage&#8221; I speak of is into Life and Humanity.The contrast of Life and Death are where we all exist. We <em>live</em> in this plane of contrast.To know this intellectually is not the same as Feeling it and Understanding it. My work is to create Feeling and Understanding of the plane of contrast which stands where Life and Death overlap.</p>
<p>For me this means my job is to create a space and a time for my students &#8211; or audience &#8211; and protect it &#8211; so they can get a first hand experience of the Processing of their own Negative Emotions.  This is done by allowing them to understand their Subconscious or Unconscious is a kind of magnet. Because of this particular law of attraction one&#8217;s state of being creates one&#8217;s environment. Hence the present state of human society on planet earth.</p>
<p>My work &#8211; in it&#8217;s ideal form &#8211; shines a light on that idea &#8211; that a State of Being Creates an Environment. And I protect the space for people to feel this. And this relates also to my philosophy of being a bodyguard or &#8220;Protector of Space&#8221;.</p>
<span id='Raising the Shadow' ></span><h1>Raising the Shadow</h1>
<div class="wp-caption alignleft" style="width: 398px"><img src="/images/Allen2011-7saints.jpg" alt="" width="388" height="300" /><p class="wp-caption-text">At entrance to the most ancient part of the Chapel of the Seven Saints in Brittany, France.</p></div>
<p>My work <em>Raises The Shadow &#8211; </em> that is &#8211; raises the individual&#8217;s Psychological Shadow up &#8211; in high profile &#8211; so it may be clearly defined, understood and therefore, dissolved. This is a lifetime process but can be glimpsed in moments &#8211; in training &#8211; and in performing. Like Finn&#8217;s tasting of the Salmon in the old Celtic myth &#8211; sometimes a taste is all you need to understand…then your Life&#8217;s meanings can unfold…</p>
<p>I prefer to do this through combining martial arts training with yoga and certain esoteric exercises. This can also be done through a dramatic performance or theatrical display. Sometimes this type of shadow display is called a &#8220;Mystery Drama&#8221;. I use my knowledge of ancient tradition to create modern mystery plays and physical training protocols. Though the human constitution has changed little in the last few thousand years &#8211; it has changed some. So I believe the ancient teachings have to be harvested anew and put in new wine skins.  Moreover some Tradition has fossilized and lost it&#8217;s meaning and it&#8217;s life. So it has to be resurrected and that is a process I am only now beginning to understand.</p>
<span id='Resurrection' ></span><h1>Resurrection</h1>
<div class="wp-caption alignright" style="width: 304px"><img src="/images/Allen2011-skeleton.jpg" alt="" width="294" height="385" /><p class="wp-caption-text">Teaching in Brest, Brittany at the Wu-shu school.</p></div>
<p>My interest in the preservation of martial and yogic tradition (which includes medicine) &#8211; much of which lies in oral tradition, myth and faery tale in all cultures causes me to collect <em>and apply </em>them in new ways. <em> </em></p>
<p>This is what makes my work go beyond Initiation into Resurrection.  I am interested in the process of the resurrection of things dead. But be clear I am NOT simply interested in collecting dead things and seeing if I can &#8220;make them work&#8221; like Frankenstein&#8217;s monster. No. I am interested in how to <em>bring living meaning to what has gone before me. </em>This is done by trying to understand ancient and modern intents and motivations and reapply these as living forces which can assist humanity now and even more so in the future. So for me &#8211; genuine Resurrection Art feels the future.</p>
<p>My work is oriented toward individual empowerment.  Part of the paradox of individual empowerment is in the realization that real understanding of self is arrived at through group work which demonstrates interdependence. This means a friend, a training partner &#8211; or a community of elders &#8211; and hopefully &#8220;all of the above&#8221; &#8212; is a gift &#8211; whether on stage &#8211; or off &#8211; for us to awaken our sleeping human potential. This is why I believe in group work as well as individual work. This is also why I have faith in Theater and the performing arts as well as the old schools of individual initiations found in martial arts and yogas and other schools of the past.</p>
<p>Much violence is generated in a false sense of separateness. We think we are unique and our personal <em>Myth of Specialness </em>keeps us separate and helps frame us as victims.  As the human being is further defined in our history we find the human is a social being and needs others. Friendship is Alchemy. Sometimes even Ecstasy. This interdependence of Fellowship &#8211; once understood &#8211; also helps dissolve or harness the shadows in oneself which inevitably lead down into violence toward both others and self. As we realize this interdependence we can align our shadows properly &#8211; to our feet- our way of life &#8211; and keep them where we can feel them &#8211; as Peter Pan finally &#8211; in the end &#8212; did &#8211; and walk into the light. And while we are there &#8211; in the light &#8211; we can understand and resurrect those ancient things, those dead things and give them a new life…</p>
<p>So I call my essential work &#8220;Scyalline&#8221; or &#8220;Shadow Alignment&#8221; (from the Greek).</p>
<p>If you wish to contact me my email is <a href="javascript:DeCryptX('bqjuunboAfmmjkbz/dpn')">a&#112;&#105;ttm&#97;n&#64;&#101;&#108;&#108;&#105;&#106;&#97;y.c&#111;&#109;</a></p>
]]></description><link>http://apittman.com/blog/my-approach/artistic-statement</link></item>
<item><title>The Amazon Dance</title><description><![CDATA[<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/amamaeve9-001.jpg"><img src="http://apittman.com/blog/wp-content/uploads/2011/06/amamaeve9-001-218x300.jpg" alt="" title="amamaeve9 001" width="218" height="300" class="alignnone size-medium wp-image-1025" /><a href="http://apittman.com/blog/wp-content/uploads/2011/06/aminiti1-001.jpg"><img src="http://apittman.com/blog/wp-content/uploads/2011/06/aminiti1-001-218x300.jpg" alt="" title="aminiti1 001" width="218" height="300" class="alignnone size-medium wp-image-1027" /></a><br />
<span id='An Introduction' ></span><h1>An Introduction</h1>
<p>The Amazon Way grew out of my Hoplite research (1998-2006) and   combines  both Eastern and Western Approaches. It is chiefly concerned   with the  most efficient way to teach women to fight without them being    intimidated by the teacher (whether they are male or female). Because   it  is geared directly to women it&#8217;s teaching methods (pedagogy) are    different than a typical &#8220;Marital Arts School&#8221; but the focus in the    training is purely on how quickly to give the women actual fighting    skills without anyone being hurt. There is little to no emphasis on form    and a strong emphasis on contact dance which is then intensified into    actual martial techniques. When I researched possible Rites of  Passage   for Women I talked with PhD Pam Chubbuck, who enlightened me  as to the   fact  one out of three women have been sexually abused in  the U.S. I   initially doubted this. She told me she did too. But then  she   interviewed 1000 women for her PhD Thesis and found it -to her  amazement   (and mine) to be correct. This was a further influence in my  field of   &#8220;teaching women to fight&#8221;.  How can I help women get their  courage? I   asked myself. &#8220;How can they be shown they CAN defend  themselves?? So   when the dust settled and I finished all my stewing I  had a new very   articulate pedagogy and a handful of extremely lethal  techniques mainly   centered around the toe-hold of wrestling&#8230;a  maneuver nearly any woman   can be taught. And it can work on very large  men&#8212;even if executed by   small women&#8212; if done properly. So I took  the central choreography  from  a fencers position of engagement-like a  handshake- and a wrestler   ducking maneuver and created a rhythmic  dance done to a drum or   literally &#8220;with bells on their ankles&#8221;&#8230;the  rhythmic sound allows much   faster learning; in fact it may cut the  learning time in half. I worked   on this system with high school  girls-and their mothers&#8212; then with a   troop of young women&#8212;and it  does work. The idea is women work with   women until they are  comfortable and then you bring men in to   participate. And the men  learn a lot from this too! Now if I can just   find women who want to  teach it to other women&#8212;that is my objective-to   train teachers. The  need is great. The <em>&#8220;<a href="/blog/?page_id=406">Amazon Way booklet</a>&#8220;</em> is my   handout for orientation to the women who are interested in the &#8220;Amazon Way.&#8221;</p>
<span id='Videos' ></span><h1>Videos</h1>
<span id='Chesel&#8217;s Amazon Dialogues' ></span><h2>Chesel&#8217;s Amazon Dialogues</h2>
<iframe src="http://www.youtube.com/embed/0eMsSZVD6pM?version=3&amp;wmode=transparent" width="560" height="340" title="YouTube video player" style="background-color:#000;display:block;margin-bottom:0;max-width:100%;" frameborder="0" allowfullscreen></iframe><p style="font-size:11px;margin-top:0;"><a href="http://www.youtube.com/watch?v=0eMsSZVD6pM" target="_blank" title="Watch on YouTube">Watch this video on YouTube</a>.</p>
<span id='Amazon Dance Research One' ></span><h2>Amazon Dance Research One</h2>
<iframe src="http://www.youtube.com/embed/XKIDaLGZA78?version=3&amp;wmode=transparent" width="560" height="340" title="YouTube video player" style="background-color:#000;display:block;margin-bottom:0;max-width:100%;" frameborder="0" allowfullscreen></iframe><p style="font-size:11px;margin-top:0;"><a href="http://www.youtube.com/watch?v=XKIDaLGZA78" target="_blank" title="Watch on YouTube">Watch this video on YouTube</a>.</p>
<span id='Links' ></span><h1>Links</h1>
<p><a title="artgate.blogspot.com" href="http://artgate.blogspot.com/2011/02/amazon-dance-theatre-mask-center.html" target="_blank">Amazon Dance Theatre at The MASK Center</a></p>
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<item><title>The Wisdom of the Body</title><description><![CDATA[<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/logowords.jpg"><img class="size-medium wp-image-990   alignleft" title="logowob" src="http://apittman.com/blog/wp-content/uploads/2011/06/logowords-300x240.jpg" alt="" width="300" height="240" /></a></p>
<p>Is a revolutionary new system of exercise that realigns body and mind&#8230;</p>
<p>It is the alliance of energy psychology with the most comprehensive physical training available.</p>
<span id='What is it?' ></span><h1>What is it?</h1>
<p>The Wisdom of the Body is a comprehensive system of exercise that promotes body-mind-spirit alignment and uses the archetypes of the Healer, the Warrior, the Sage and the Poet. The guiding principle is self-empowerment through deliberate focus on appropriate movement.</p>
<span id='How does it work?' ></span><h1>How does it work?</h1>
<span id='The Body' ></span><h2>The Body</h2>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/IMG_3180.jpg"><img class="size-medium wp-image-994  alignright" title="IMG_3180" src="http://apittman.com/blog/wp-content/uploads/2011/06/IMG_3180-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p>Wisdom of the Body is a unique choreography based on the developmental stages of the human being from babyhood to old age and on a gentle and thorough activation of the whole body through the spine.</p>
<p>There are appropriate levels of difficulty and intensity depending on the practitioner.</p>
<span id='The Mind' ></span><h2>The Mind</h2>
<p>These are protocols adapted from integral psychology and authentic wisdom schools that weave through the sequence of physical movements in increasing levels of complexity for mental and emotional integration : from the innocence and powerlessness of infancy to the power of adulthood to the surrender and transcendence of old age.</p>
<span id='The Spirit' ></span><h2>The Spirit</h2>
<p>This is the wisdom of Inquiry, appropriate resolve and coherence practices which are tuned to the ever-present body. The spiritual nature of Being is grounded through benevolent recognition and appreciation of the body.</p>
<span id='Who is it for?' ></span><h1>Who is it for?</h1>
<p>There are <strong>6 main branches</strong> in Wisdom of the Body:</p>
<ul>
<li><strong>Exercise</strong> – for adults</li>
<li><strong>Training</strong> – for high level sports and physical arts practitioners</li>
<li><strong>Security</strong> – for ultimate self defense</li>
<li><strong>Health</strong> – for senior citizens, persons in rehab or people with mental or physical challenges</li>
<li><strong>Education</strong> – for young people and children</li>
<li><strong>Expression</strong> – for the performing arts</li>
</ul>
<span id='Exercise' ></span><h2>Exercise</h2>
<p><em>For adults of all ages.</em></p>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/IMG_3200.jpg"><img class="size-medium wp-image-1001  alignleft" title="IMG_3200" src="http://apittman.com/blog/wp-content/uploads/2011/06/IMG_3200-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p>As an exercise regimen for adults, Wisdom of the Body will give you a complete workout appropriate to your fitness level and fitness goals while helping you align your thoughts and emotions to happiness.</p>
<p>As we follow the developmental sequence of the body from infancy to old age, we also retrace and pre-pave the neural pathways and this allows for safe neurological, muscular and emotional integration.</p>
<p>The deeper levels of concentration and relaxation allow for profound awakening and presence practices.</p>
<p>Globally, it has elements of yoga, shamanism, martial arts and just pure fun so that you do not only sweat, but also enjoy and relax!</p>
<span id='Training' ></span><h2>Training</h2>
<p><em>For high level sports and martial arts conditioning.</em></p>
<p>Wisdom of the Body is the most complete training system that we know of. It can be used as a comprehensive warm up or conditioning protocol for any sport or high level physical discipline.</p>
<p>It addresses and adjusts the mental and emotional energies to spearhead breakthroughs in performance. It can also be used as a diagnostic tool to uncover weaknesses in specific muscle-chains or other areas.</p>
<p>It is also a precious companion to the ageing athlete, allowing for the blossoming of subtle energies whilst cultivating physical excellence.</p>
<span id='Security' ></span><h2>Security</h2>
<p><em>For ultimate self defense.</em></p>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/IMG_3318.jpg"><img class="size-medium wp-image-1000  alignright" title="IMG_3318" src="http://apittman.com/blog/wp-content/uploads/2011/06/IMG_3318-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p>Wisdom of the Body includes an empowering martial arts sequence called &#8220;The Amazon Dance&#8221; which is the most practical set of movements one can use against an armed opponent.</p>
<p>This unique choreography was first designed to respectfully and efficaciously teach the quintessence of survival fight-or-flight tactical response skills to women, but a lot of men need these skills too!</p>
<p>The impact of this training is profound because you learn to recognize and then harness the power of your instincts, to enroll the reptilian brain in the cultivation of courage, discernment and serenity.</p>
<p>The existential (life and death) dimension of this training builds awareness, decisiveness and clarity of action and psychologically takes you into the heart of human mythology in order to integrate the archetype of the Warrior.</p>
<span id='Education' ></span><h2>Education</h2>
<p><em>For young people and children.</em></p>
<p>Wisdom of the Body is the ultimate integrated psycho- physical education system. Children, be they poets or warriors, will have a blast doing movements that are both playful and that help to develop and hone their natural abilities: coordination, balance, flexibility, strength, responsiveness, concentration and relaxation.</p>
<p>The integration of mental and physical movement disciplines will give young people and children solid training and self-confidence which is essential to their happy and harmonious development. The concentration and metaphor practices will guide them to explore and expand the more subtle dimensions while feeling completely grounded.</p>
<p>There are special protocols appropriate for the different age groups culminating in initiation programs for teenagers.</p>
<span id='Expression' ></span><h2>Expression</h2>
<p><em>For the performing arts.</em><br />
<a href="http://apittman.com/blog/wp-content/uploads/2011/06/Photos-Oct.-2010-July-2011-144.jpg"><img class="size-medium wp-image-1003  alignleft" title="Photos Oct. 2010- July 2011 144" src="http://apittman.com/blog/wp-content/uploads/2011/06/Photos-Oct.-2010-July-2011-144-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p>Wisdom of the Body offers an extraordinary catalogue of movements which explores the pathways between physiology, posture, emotion, intent and culture.</p>
<p>It is a fascinating in-depth study of body language in its universal, historical and local dimensions: the individual, personal and subjective aspects of movement are experienced with a clear sense of the influences of contexts: be they natural or cultural.</p>
<p>Students of theater have said this system should be compulsory in their curriculum.</p>
<span id='Video' ></span><h1>Video</h1>
<span id='Wisdom of the Body conditioning' ></span><h2>Wisdom of the Body conditioning</h2>
<iframe src="http://www.youtube.com/embed/iunPl3gP-fA?version=3&amp;wmode=transparent" width="560" height="340" title="YouTube video player" style="background-color:#000;display:block;margin-bottom:0;max-width:100%;" frameborder="0" allowfullscreen></iframe><p style="font-size:11px;margin-top:0;"><a href="http://www.youtube.com/watch?v=iunPl3gP-fA" target="_blank" title="Watch on YouTube">Watch this video on YouTube</a>.</p>
<span id='Scythian Way-Sun Salutation' ></span><h2>Scythian Way-Sun Salutation</h2>
<iframe src="http://www.youtube.com/embed/bwNeCcquxTo?version=3&amp;wmode=transparent" width="560" height="340" title="YouTube video player" style="background-color:#000;display:block;margin-bottom:0;max-width:100%;" frameborder="0" allowfullscreen></iframe><p style="font-size:11px;margin-top:0;"><a href="http://www.youtube.com/watch?v=bwNeCcquxTo" target="_blank" title="Watch on YouTube">Watch this video on YouTube</a>.</p>
<p><code>&lt;!--PutTableHere--&gt;</code></p>
]]></description><link>http://apittman.com/blog/my-approach/the-wisdom-of-the-body</link></item>
<item><title>Physical Training Traditions</title><description><![CDATA[<span id='Approach to Students' ></span><h1>Approach to Students</h1>
<p><em>Physical Training Traditions </em>(PTT) exists to research, teach, promote and  preserve various types of physical training from around the world.</p>
<p>The arts which form the core of our curriculum begin with basic body  conditioning and extend into the branches of traditional martial arts,  yogas and healing modalities from around the world and also  &#8220;reconstructed&#8221; arts.</p>
<p>The qualifications of the teachers (some come to study and some to  share, and some to teach professionally) involved in PTT include at  least 10 years instruction under a genuine and authentic tradition as  well as other work in arts of healing and training. By &#8220;genuine and  authentic&#8221; I mean having learned in the apprenticeship mode under a  teacher who can prove they actually carry a lineage of teaching form a  distinct history and teacher. I do not include here &#8220;teachers&#8221; who have  invented their own arts though there is a place for that too. PTT does  not teach &#8220;mixed martial arts&#8221;. It teaches very specific traditions that  are time- honored and have proved themselves in battle and personal  self defense. It does not teach &#8220;sport karate&#8221; or &#8220;kickboxing&#8221; or combat  arts designed for the competitive ring. There are students from these  disciplines involved in the classes as are police and even at times  monks and other clerics. I emphasize both the philosophical and tactical  aspects of the arts but put the tactical aspects first in the training.  Once the student has a &#8220;handle&#8221; on the tactical aspect-that is they can  do drills with a partner with some understanding-I then begin to  introduce the philosophical, religious and esoteric ideas which stand  behind any Way of Power which eventually can lead to a genuine  Understanding of a given Art. But I must emphasize here, from the  craftsman&#8217;s point of view-these arts are not arts of form they are  TACTILE  RESPONSE ARTS. The forms reflect physical applications which  come out of physical responses which are trained.</p>
<p>Many teachers, particularly in the Chinese Martial Arts teach &#8220;form  only&#8221; or &#8220;form mainly&#8221;. Unfortunately, this has resulted in a great deal  of frustration and illusion about how these arts work and why they  work. Many times students in the Chinese tradition are put on what I  call &#8220;the ten year program&#8221;. In other words the teaching is spread out  to fill ten years. Often students are never shown applications or  applications are held back so the teacher can maintain the tactical  &#8220;upper hand&#8221;. This is still the rule rather than the exception. It  allows the teachers to maintain mediocre skill and still control the  students in the class by physical threat. While this may work with the  glandular system of adolescents, for thinking adults who no longer need  the boot camp mentality- genuine applications must be taught and drilled  with other mature adults who are kind and gracious enough to tolerate  the process without abusing one another. A popular student control  method is to hit the student or otherwise abuse them if they ask a  tactical question-the make them do the form again over and over, without  really answering the question. Many reading this have encountered this  as I have. I stand against this. I believe a real martial art can  actually be taught clearly without student abuse. This does NOT mean the  applications will not &#8220;hurt&#8221;! Nor does it mean the study of martial  arts needs to be abusive. It means the hands-on applications can be  tempered so the student can feel it and understand it but have no  hard-core damage. Sting yes, pinch, hurt, bump but no &#8220;venting one&#8217;s  spleen&#8221; on another person please! And again here, unless the teacher is  vigilant- an element of abuse can be introduced by themselves or a  student. Now if there is a bully in the class then obviously he has to  be gotten rid of&#8230;</p>
<p>It is interesting that the Chinese martial arts, as they have become  diluted, especially Tai Chi Chuan, have also become popular in the U.S.  While teachers lecture about &#8220;health&#8221; the students often never even  learns to step out of the way of a punch!  I&#8217;m not sure how &#8220;healthy&#8221;  that is.  I have found these &#8220;practitioners&#8221; can talk the most abstruse  theory though! Particularly about the concept of &#8220;Chi&#8221; or &#8220;air &#8211;  energy&#8221;&#8230; It is an old problem which the better Chinese teachers I had  called &#8220;Speaking-Talk Boxing&#8221;.</p>
<p>Students at PTT tend to come from the ages between 15 and 50. I  encourage the younger students to work harder on both reading material  connected to history and psychology as well as physical conditioning &#8211;  especially up to the age of 25 while the brain is still finding the  skeleton and the joints of the body ossify.  After that the forces of  life, relationships, careers and other things, filter in and training  and study has to be relegated to a more limited time.  I also encourage  students to move on if the training does not seem to suit them. I have  sent a student who wanted anxiously to learn knife techniques- which at  that time I taught later- in the curriculum-to an Escrima (Philippine  martial art) teacher- because he had that need. Several younger students  who have come to me wanting to be more acrobatic- I sent to a Capoiera  (Brazilian martial art) class. This for me, is karmic. Personality is  highly individualized and one must find the food one needs. And I  believe if the teacher is not a &#8220;match&#8221; one should move on! Don&#8217;t waste  time! Life is precious!  I have students that come every week, every  month, twice a year, every few years&#8230;most keep in touch and I consider  my students my friends and my peers. I do not run a school with a  pyramid social structure. Any student can speak with me- at pretty much-  any time. The students do not have to speak to a senior student or  &#8220;older brother&#8221; student to talk to me.  Technically speaking an advanced  student is more advanced because he/she are further in the curriculum. I  do not include age and maturity level here.   The technical aspect has  to be hierarchical and pyramidical. You cannot learn poetry without  knowing the alphabet! This however, does not reflect skill or  understanding. Some students, having long preparation from various  disciplines- pick up the material I teach very fast and move quickly  upwards, through the curriculum. I am grateful for these students as the  traditions need all the help they can get! It is up to the carriers of  the Traditions, whether Martial or Philosophical &#8211; to prevent students  from needing to &#8220;re-invent the wheel&#8221;!  I believe the teacher does not  need to deliberately place obstacles in the students&#8217; way&#8212;the student  brings them along with them and they are entirely built in to the  psychology of the student! It is as sure as your airport baggage which  &#8220;should be with you at all times&#8221; etc! If I teach carpentry I have to  deal with specific tools and the impartation of specific skills to  hammer a nail, cut wood, construct and build wisely. The physical skills  of martial arts are no different. Personality enters into the  teacher-student equation but for me is secondary to simply getting the  ideas across and the skills with them. I believe it is wisest to  interfere as little as possible in the lives of students. The freedom of  their Will or Soul is sacred and to me inviolate. If they ask for  advice I give it, or if they seem to be hurting themselves I say so.  Otherwise I make every attempt to teach them as though they are an arrow  with an inherent trajectory which neither of us may be clear about!  Hopefully, with time a clear direction can be discovered through  training and questioning and observing and interpreting the phenomena of  life and personhood. But how little we know of ourselves! So we must  look and train and try to understand ourselves and hopefully others  too&#8230;</p>
<p>Students are encouraged to learn quickly and easily and also encouraged  to teach and explore. I teach with the intent of producing happier  students, good practitioners and good teachers. And I &#8220;let them go&#8221; but I  do like to keep in touch with them because I get pleasure when I hear  of their successes in life.</p>
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<item><title>My Approach</title><description><![CDATA[<span id='Physical Training Traditions' ></span><h2><a title="Physical Training Traditions" href="approach-to-students">Physical Training Traditions</a></h2>
<span id='The Wisdom of the Body' ></span><h2><a title="The Amazon Dance" href="the-wisdom-of-the-body">The Wisdom of the Body</a></h2>
<span id='The Amazon Dance' ></span><h2><a title="The Amazon Dance" href="amazon-way">The Amazon Dance</a></h2>
]]></description><link>http://apittman.com/blog/my-approach</link></item>
<item><title>Allen Pittman</title><description><![CDATA[<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/Guiness-and-I-at-the-well.jpg"><img class="size-medium wp-image-1033 alignleft" title="Guiness and I at the well" src="http://apittman.com/blog/wp-content/uploads/2011/06/Guiness-and-I-at-the-well-225x300.jpg" alt="" width="225" height="300" /></a></p>
<p>Allen Pittman has dedicated his life to the study of the Human Body as the enlightenment vehicle. He has apprenticed with Wisdom teachers around the world in medicine, martial arts and yoga. His main studies have combined the Warrior and the Healer. His medical education includes working with third degree burn patients to creating therapeutic protocols for brain injured patients. He has been actively involved since the age of eighteen in therapeutic protocols.</p>
<p>For ten years he worked extensively with children and teens in the Waldorf School movement using the work of Bothmer as a touchstone. At present he works with both children and adults in the creation of a new type of physical training which cross references developmental and integrative psychology with physical exercise progressions. This system he calls &#8220;The Wisdom of the Body&#8221;. The system weaves together individual history, world history and existential initiation into protocol of movement combining animal insights with Rites of Passage.</p>
<p><a href="http://apittman.com/blog/wp-content/uploads/2011/06/logowords1.jpg"><img class="size-medium wp-image-1035 alignright" title="logowords" src="http://apittman.com/blog/wp-content/uploads/2011/06/logowords1-300x240.jpg" alt="" width="300" height="240" /></a></p>
<p>Allen has been the security coordinator and sometime personal escort/bodyguard for celebrities who participated in The Mythic Journeys Conferences (in conjunction with the Joseph Campbell foundation) and has participated on panels on Youth and Initiation as well as on The Meaning of the Scar. He has been at various times the bodyguard to H.H.the Dalai Lama, Ralph Nader, Andrew Young and Deepak Chopra. He is registered as a Vatican Researcher and has gone through both initiation and transmission of teaching by the Ganden Tipa (the highest official scholar of Tibet in the Yellow Hat or Gelugpa Order) in the highest yoga tantra. He has also been directly initiated by H.H. The Dalai Lama. Allens studies of Christianity began at the age of five as he was groomed as a missionary by the Plymouth Brethren from the ages of 5-18. He is a Chevalier in the Sovereign Military Order of the Temple of Jerusalem and one of the initiates of a Taoist bodyguard system derived from the Book of Changes called Gao Ba-gua which he has practiced for nearly 30 years. Allen also has an essay with the University of Dublin on Hoplite (Greek) shield and spear fighting. His quests have carried him around the world &#8211; from the U.S. to India to Asia where he lived with a Chinese teacher, across to South Africa among the Zulu where he has studied stick and shield fighting. Allen now lives &#8211; when not traveling -  in the Blue Ridge Mountain of North Georgia where he teaches and continues to research the traditions and esoteric lore of the East and West.</p>
<p>Allen can be reached at <a href="javascript:DeCryptX('bqjuunboAfmmjkbz/dpn')">&#97;pit&#116;&#109;an&#64;&#101;l&#108;ijay&#46;&#99;&#111;&#109;</a></p>
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<item><title>Guardmanship</title><description><![CDATA[<p><img class=" alignright" src="/images/ptt/agurad.jpg" alt="" width="225' height=" height="316" /></p>
<p>Ba Gua bears the earmarks of a bodyguard&#8217;s art &#8211; the extensive variety of movements of a covering defensive nature, the combined turning &amp; pushing with specialized stepping &amp; ways to insinuate one&#8217;s body between two people all indicate a system designed to protect a third party.</p>
<span id='Guarding Ba Gua' ></span><h1>Guarding Ba Gua</h1>
<p>Some Ba Gua practitioners in history, particularly during the Ching dynasty, have been bodyguards for heads of state. During the Ching, Tibetan Buddhism was the National Religion of China so it is known that High Lamas were likely protected by guards of that nature. There is also a guard tradition in Tibetan Buddhism.</p>
<span id='Guarding Tibetan Buddhism' ></span><h1>Guarding Tibetan Buddhism</h1>
<p>Allen&#8217;s involvement in Tibetan Buddhism &amp; its medicine led him into studying the nature of monastic discipline &amp; security. He was requested to assist with security at the Loseling Institute, the North American seat of <a href="http://www.drepung.org/" target="_blank">Drepung Monastery</a> (the “Oxford&#8221; of Tibet). He assisted with security as &#8220;Geku&#8221; or &#8220;disciplinarian&#8221; at the Loseling Institute for ten years ending in 2001.</p>
]]></description><link>http://apittman.com/blog/general-bio/guardmanship</link></item>
<item><title>Therapeutic Arts</title><description><![CDATA[<p><img class=" alignleft" src="/images/ptt/adog.jpg" alt="" width="225" height="164" /></p>
<p>At 18 Allen worked as a Physical Therapy Tech and Orthopedic tech for one year at the Athens Regional Medical Center. He worked in orthopedics, burn, psychiatric and pediatric wards sometimes substituting for a five man crew. In 1980 he attended the British School of Osteopathy in London. His two years with his main Chinese boxing teacher in Taiwan included his assisting him in &#8220;Bone Setting&#8221; or physical therapy related techniques of the Chinese. In 1991 Allen was licensed in the U.S. under the Florida Board of Examiners as a Massage Therapist. For ten years he was a Massage Therapist on-call for the Buckhead Athletic Club and their in-house Hatha Yoga teacher. During this time he also developed an exercise protocol for St. Joseph&#8217;s Hospital Wellness Center oriented toward rehabilitation of stroke and head injury patients.</p>
<p>Allen is also a certified Red Cross rescuer and has certifications in both Unani Herbal Medicine (Greek-Arabic Tradition) and Aromatherapy and has studied with the Tibetan Physician-Herbalists Dr. Pema Dorjee (Physician to the Dalai Lama) and Dr. Barry Clark. At present Allen is working on protocols specifically for Post Traumatic Stress disorder<br />
involving both physical movement (Wisdom of the Body format) and mental &#8220;Journeying&#8221; protocol.</p>
]]></description><link>http://apittman.com/blog/general-bio/therapeutic</link></item>
<item><title>Martial Arts</title><description><![CDATA[<div class="wp-caption alignright" style="width: 235px"><img src="/images/ptt/allenchen.jpg" alt="" width="225" height="211" /><p class="wp-caption-text">Allen with Chen Yun-ching in Atlanta in 2006 - After 22 years since his first lesson with him.</p></div>
<p>Allen began his training with the ways of the East under Lawrence Huff and Peter Fabian in Tae Kwon Do or Korean Karate at the age of twelve. At fifteen (1975) he began studying the Nei Chia arts (or &#8220;Inner Family Arts&#8221;) of China including Ba-gua (a bodyguards art), Hsing-I (an infantry art) and Tai Chi (also a bodyguards art) with R.W. Smith. He also began studying with Rose Li in 1978 while visiting family in England. His studies continued as he went to Taiwan at the age of 24 and later, 26 to be a live-in student with Hung I-mien (the senior student of Chang Chuen-feng, who brought a full Nei chia curriculum from Shanghai during the time of the Communist Revolution). <a href="http://apittman.com/blog/wp-content/uploads/2011/06/hungalvert.jpg"><img class="size-medium wp-image-977 alignleft" title="hungalvert" src="http://apittman.com/blog/wp-content/uploads/2011/06/hungalvert-e1313539717914-300x219.jpg" alt="" width="300" height="219" /></a>During this time Allen also studied with the sons of Chen Pan-ling a well known Chinese Boxing historian and scholar and Wu Shao-lin, a teacher from the Ching Tao Guo- Shu Guan or &#8220;National Art Academy&#8221;.<a href="http://apittman.com/blog/wp-content/uploads/2011/06/wu1.jpg"><img class="size-medium wp-image-978 alignright" title="wu1" src="http://apittman.com/blog/wp-content/uploads/2011/06/wu1-196x300.jpg" alt="" width="196" height="300" /></a> After returning to the U.S. Allen began teaching in Atlanta and occasionally leading the classes for R. Smith in Washington, D.C. At 27 Allen met Irish strong man and wrestler Tim Geogheagan and began to study things connected to the Ways of the East and West, particularly Celtic Wrestling and Indian Yoga. He also worked with Tim on various &#8220;bone-setting&#8221; techniques similar to what he learned in Taiwan and other manual therapies.<a href="http://apittman.com/blog/wp-content/uploads/2011/06/tim38.jpg"><img class="size-medium wp-image-979 alignleft" title="tim38" src="http://apittman.com/blog/wp-content/uploads/2011/06/tim38-300x265.jpg" alt="" width="300" height="265" /></a></p>
<p>This went on for ten years. During this period he cross referenced Judo, Fencing and other kinds of training both mental and physical. He has dabbled in Aikido and from the late 1980&#8242;s has trained in a variety of weapons in and out of armor from the traditions of both East and West (including Fencing at the Atlanta Fencing Club and traveling to New York to work with Maestro Martinez on the Spanish Rapier). At 35 while continuing to teach regular martial arts classes in these arts, he began working in physical education at the Waldorf (Middle) School of Atlanta working specifically with the ancient Greek Pentathlon concepts oriented toward ten year olds. <a href="http://apittman.com/blog/wp-content/uploads/2011/06/waldormiddle2.jpg"><img class="size-medium wp-image-980 alignright" title="waldormiddle2" src="http://apittman.com/blog/wp-content/uploads/2011/06/waldormiddle2-300x127.jpg" alt="" width="300" height="127" /></a>From this he designed an expanded P.E. curriculum for ages 7-12. He has also worked with a Waldorf High School (Academe of the Oaks) on a curriculum which combines fencing with staffs according to various traditions, concluding the 12th grade curriculum with the training of the English Long Bow. At present Allen is working on several books and divides his time between teaching, lecturing and continuing to research the paths of the body-mind nexus.<a href="http://apittman.com/blog/wp-content/uploads/2011/06/DSC010131.jpg"><img class="size-medium wp-image-981 alignleft" title="DSC01013" src="http://apittman.com/blog/wp-content/uploads/2011/06/DSC010131-300x168.jpg" alt="" width="300" height="168" /></a></p>
]]></description><link>http://apittman.com/blog/general-bio/martial-arts</link></item>
<item><title>2012 Schedule &#8211; U.S. and Europe</title><description><![CDATA[<span id='U.S.' ></span><span id='U.S.' ></span><h1>U.S.</h1>
<span id='February 18th' ></span><h2>February 18th</h2>
<p>Ellijay, Georgia (Saturday 10-5pm)<br />
Question and Answer Session at Allen&#8217;s house contact him for details and directions -<br />
<a href="javascript:DeCryptX('bqjuunboAfmmjkbz/dpn')">a&#112;&#105;&#116;&#116;&#109;an&#64;e&#108;li&#106;&#97;y&#46;&#99;&#111;m</a></p>
<span id='February 21st' ></span><h2>February 21st</h2>
<p>Full Moon Question and Answer<br />
Ellijay, GA</p>
<span id='February 25th' ></span><h2>February 25th</h2>
<p>Decatur, Georgia (Sat am)<br />
Hsing-I with Tom Karls and Allen Carroll<br />
contact Allen Carroll at<br />
<a href="javascript:DeCryptX('ItjohJAdpndbtu/ofu')">&#72;s&#105;ng&#73;&#64;c&#111;mc&#97;&#115;&#116;.&#110;e&#116;</a></p>
<span id='March 2-4' ></span><h2>March 2-4</h2>
<p>Ellijay, Georgia (Friday to Sunday)<br />
Special brain-storming sessions for working with Post Traumatic Stress Disorder using methods from yoga systems and martial arts. If you are interested in these please contact Allen at<br />
<a href="javascript:DeCryptX('bqjuunboAfmmjkbz/dpn')">apittm&#97;n&#64;&#101;&#108;li&#106;a&#121;&#46;&#99;&#111;&#109;</a></p>
<span id='March 8-11' ></span><h2>March 8-11</h2>
<p>New York State/Newburg (Thursday-Sunday)<br />
Hsing-I Sessions contact<br />
Robert Hoffman at<br />
<a href="javascript:DeCryptX('pnfhbubjdijAzbipp/dpn')">&#111;&#109;e&#103;ata&#105;&#99;&#104;i&#64;&#121;a&#104;&#111;o&#46;&#99;&#111;m</a></p>
<span id='March 19' ></span><h2>March 19</h2>
<p>Question and Answer (new moon on 22nd)<br />
Ellijay,Georgia</p>
<span id='EUROPE' ></span><span id='EUROPE' ></span><h1>EUROPE</h1>
<span id='April 6-May 10' ></span><h2>April 6-May 10</h2>
<p><em>ZURICH, Switzerland<br />
April 22 Wisdom of the Body workshop levels 1 and 2.<br />
April 22nd. Talk at Theosophical Society. The topic is &#8220;Psychic Self-Defense&#8221;.</em><br />
April 28,29 Yoga Workshop cross referencing the schools of India, Persia and Egypt.<br />
May 5th Hsing-I Workshop<br />
May 6th Gao Ba-gua Workshop<br />
contact Stefan Marcec at <a href="javascript:DeCryptX('jogpAjoufsobmxpsl/di')">in&#102;o&#64;&#105;&#110;te&#114;n&#97;l&#119;&#111;rk&#46;&#99;h</a></p>
<span id='May 10-25' ></span><h2>May 10-25</h2>
<p>BREST, France (Brittany)<br />
May 19-20 Wisdom of the Body and the Ba-gua of Cheng Pan-ling.<br />
Emphasis on Celtic Elements of martial arts, Scythians and Scythianos. Hopefully we will cross reference the standing techniques of Gouran (the native wrestling of Brittany and cousin to Cornish wrestling) with some of the Celtic Wrestling of Tim Geoghegan.<br />
contact Erwan at <a href="javascript:DeCryptX('fsdmpbsfdAhnbjm/dpn')">ercloa&#114;ec&#64;&#103;mail.c&#111;m</a></p>
<span id='May 26,27' ></span><h2>May 26,27</h2>
<p>LONDON, England<br />
Wisdom of the Body<br />
Amazon Dance- Advanced Course<br />
We will use the floor work of first level of Wisdom of the Body as the warm up passing through the standing Egyptian Yoga and onto the third section or Amazon Dance. Emphasis in this workshop will be on the Amazon Dance and how a small person can defend themselves against a larger stronger person. All Skill levels will have fun at this workshop and are welcome. My objective is to see to it the participants have more insight into their own body and have fun in doing so as well! For more information on the Amazon Dance and it&#8217;s implications see it on this website under &#8220;My Approach&#8221;.<br />
contact Andrew at <a href="javascript:DeCryptX('sfcboeAcujoufsofu/dpn')">&#114;&#101;&#98;&#97;&#110;&#100;&#64;bti&#110;t&#101;&#114;n&#101;t&#46;&#99;&#111;m</a></p>
<span id='June 2,3' ></span><h2>June 2,3</h2>
<p>THE LAKES (Cumbria), England<br />
Wisdom of the Body<br />
All Three Levels<br />
private classes on Ba-gua/Hsing-I or -according to questions- and possible advanced work from the 4th to the 8th on these arts with senior students of various teachers. During this time Allen may also team up with Mark Olly at The Door gathering to discuss some of the Arthurian and Celtic aspects of Martial Arts as well as Yoga.</p>
<p>contact John at <a href="javascript:DeCryptX('tqjsbmnzuiAmjofpof/ofu')">s&#112;ira&#108;&#109;&#121;t&#104;&#64;l&#105;n&#101;o&#110;e&#46;&#110;&#101;t</a><br />
and Mark at<br />
<a href="javascript:DeCryptX('nbsl.pmmzAipunbjm/dp/vl')">m&#97;&#114;&#107;&#45;oll&#121;&#64;&#104;o&#116;&#109;a&#105;&#108;.c&#111;&#46;&#117;&#107;</a></p>
<span id='U.S.' ></span><span id='U.S.' ></span><h1>U.S.</h1>
<span id='August 17,18,19' ></span><h2>August 17,18,19</h2>
<p>ELLIJAY, Georgia<br />
The Gao Ba-gua System; detail and analysis<br />
contact Allen at<br />
<a href="javascript:DeCryptX('bqjuunboAfmmjkbz/dpn')">a&#112;&#105;t&#116;&#109;an&#64;&#101;&#108;l&#105;&#106;a&#121;&#46;co&#109;</a></p>
<span id='EUROPE' ></span><span id='EUROPE' ></span><h1>EUROPE</h1>
<span id='September 22,23' ></span><h2>September 22,23</h2>
<p>OSLO, Norway<br />
Hsing-I Seminar<br />
contact Oyvind Indergaard at<br />
<a href="javascript:DeCryptX('pzwjoekjooAipunbjm/dpn')">&#111;&#121;&#118;&#105;n&#100;&#106;&#105;nn&#64;&#104;&#111;&#116;&#109;&#97;i&#108;.&#99;o&#109;</a></p>
<span id='September 29-30' ></span><h2>September 29-30</h2>
<p>PARIS, France<br />
Wisdom of the Body and Hsing-I seminar<br />
contact Erwan Cloarec<br />
<a href="javascript:DeCryptX('fsdmpbsfdAhnbjm/dpn')">erc&#108;oarec&#64;&#103;m&#97;&#105;l&#46;&#99;&#111;m</a> or contact<br />
Luce Condamine at<br />
//lucecondamine.free.fr/</p>
<span id='October 6,7' ></span><h2>October 6,7</h2>
<p>VICENZA, Italy<br />
contact Luigi Zanini for information<br />
<a href="javascript:DeCryptX('m/{bojojAmjcfsp/ju')">&#108;&#46;z&#97;&#110;&#105;&#110;&#105;&#64;&#108;&#105;&#98;&#101;&#114;o.&#105;t</a></p>
]]></description><link>http://apittman.com/blog/2012-schedule-u-s-and-europe</link></item>
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<item><title>Links</title><description><![CDATA[<span id='Blue Snake Books' ></span><h2><a href="http://www.bluesnakebooks.com/" target="_blank">Blue Snake Books</a></h2>
<p>Blue Snake Books is presently the largest publisher of internal and historical martial arts books in the world.</p>
<span id='North Atlantic Books' ></span><h2><a href="http://www.northatlanticbooks.com/" target="_blank">North Atlantic Books</a></h2>
<p>North Atlantic Books is a leading publisher of alternative health, raw foods, martial arts, and spiritual titles.</p>
<span id='EDGEWORK &#8211; Crisis Intervention Resources' ></span><h2><a href="http://www.ellisamdur.com/" target="_blank">EDGEWORK</a> &#8211; Crisis Intervention Resources</h2>
<p>Edgework is the site for Ellis Amdur and his Crises Intervention Work.  Ellis is not only a licensed teacher from Japan of Araki-Ryu (a  traditional school of Japanese Swordsmanship) but also Toda-Ha Buko-Ryu  (the traditional school of the glaive).  In &#8220;Real Life&#8221; he is also a specialist in designing protocols and  techniques of change which involve criminal youth.  Because of his vast  experience and penetrating insight he is actually a kind of Wisdom  Teacher-hard to find these days&#8212; in both martial arts and the Why&#8217;s  and Wherefores of criminal behavior. He understands the role of Rites of  Passage for youth and also clearly understands the human dynamics which  lead to violence.</p>
<span id='Mythic Journeys' ></span><h2><a href="http://www.mythicjourneys.org/" target="_blank">Mythic Journeys</a></h2>
<p>For those interested in the meaning of myths and tales and the psychology of spirituality&#8230;it has also morphed some of it&#8217;s aspects into the Mythic Imagination Institute&#8230; </p>
<span id='Stav International' ></span><h2><a href="http://www.stavinternational.org/" target="_blank">Stav International</a></h2>
<p>Literally translated, “Stav” means “knowledge of the rune staves,” and  is a traditional European mind/body/spirit training system. Stav is the physical culture system of the Vikings. Ivar Hafskjold takes the site-visitor into the depths of this ancient martial and yogic system of the West.</p>
<span id='IHS' ></span><h2><a href="http://www.hoplology.com/" target="_blank">IHS</a></h2>
<p>The International Hoplology Society (IHS) is dedicated to the study of  the evolution and development of human combative behavior. IHS is  continuing the weapon research of Donn Draeger through its director,  Hunter Armstrong, who has also advised Stephen Pressfield for his best  selling historic novel of the Spartans <em>&#8220;Gates of Fire&#8221;</em>.</p>
<span id='Narthaki Online' ></span><h2><a href="http://www.narthaki.com/" target="_blank">Narthaki Online</a></h2>
<p>Classical Indian Dance Directory. Your gateway to the world of traditional Indian Dance.</p>
<span id='MARTINEZ ACADEMY OF ARMS' ></span><h2><a href="http://www.martinez-destreza.com/" target="_blank">MARTINEZ ACADEMY OF ARMS</a></h2>
<p>&#8220;The Martinez Academy of Arms is a unique school that preserves the  tradition of fencing as the study of the sword in its realistic  application in personal combat. Entering the Academy, one steps into  another era and finds a serious group of practitioners dedicated to the  art of the sword.&#8221; Some years ago Allen began to study Spanish  Rapier with the Maestro and his wife, finding the teaching as well as  the company to be first-rate.</p>
<span id='Visioneering International' ></span><h2><a href="http://www.visioneering.com" target="_blank">Visioneering International</a></h2>
<p>Visioneering is a High-Tech Production and Communications Company with  two major divisions: Corporate and Cultural. They work with Special  Events, Exhibitions, and Production of Film, Video and Multimedia Shows.</p>
<span id='EarthKeepers' ></span><h2><a href="http://www.earthkeepers.net/" target="_blank">EarthKeepers</a></h2>
<p>Tom BlueWolf&#8217;s Informative and Inspiring Site<br />
“Earthkeepers &amp; Company is a non-profit organization founded in 1969  with a focus on environmental integrity, community relations, tribal  values, and global peace. EarthKeepers is dedicated to educating people  of all ages on the importance of our relationship with Mother Earth and  one another.” Tom is a synthesizer of traditions and is actively creating a bridge through time for those in this era to taste some of the ancient ways while at the same time raising ecological awareness.</p>
<p><a href="javascript:DeCryptX('jtddfAdpndbtu/ofu')">&#105;s&#99;&#99;e&#64;comca&#115;&#116;&#46;&#110;&#101;t</a></p>
<span id='3 Rivers Archery' ></span><h2><a href="http://www.3riversarchery.com/" target="_blank">3 Rivers Archery</a></h2>
<p>&#8220;World&#8217;s Largest Traditional &#8211; Primitive Archery Supplier&#8221;</p>
<span id='Dr. Barry Clark &#8211; Tibetan Physician' ></span><h2><a href="http://www.drbarryclark.com/" target="_blank">Dr. Barry Clark &#8211; Tibetan Physician</a></h2>
]]></description><link>http://apittman.com/blog/about/links</link></item>
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<div class="ddsg-wrapper"><span id='Pages' ></span><h2>Pages</h2><ul><li><a href="http://apittman.com/blog/" title="Allen Pittman">Allen Pittman</a><ul><li><a href="http://apittman.com/blog/general-bio/martial-arts" title="Martial Arts">Martial Arts</a></li><li><a href="http://apittman.com/blog/general-bio/therapeutic" title="Therapeutic Arts">Therapeutic Arts</a></li><li><a href="http://apittman.com/blog/general-bio/guardmanship" title="Guardmanship">Guardmanship</a></li></ul></li><li><a href="http://apittman.com/blog/my-approach" title="My Approach">My Approach</a><ul><li><a href="http://apittman.com/blog/my-approach/approach-to-students" title="Physical Training Traditions">Physical Training Traditions</a></li><li><a href="http://apittman.com/blog/my-approach/the-wisdom-of-the-body" title="The Wisdom of the Body">The Wisdom of the Body</a><ul><li><a href="http://apittman.com/blog/my-approach/the-wisdom-of-the-body/services" title="Services">Services</a></li></ul></li><li><a href="http://apittman.com/blog/my-approach/amazon-way" title="The Amazon Dance">The Amazon Dance</a><ul><li><a href="http://apittman.com/blog/my-approach/amazon-way/amazon-way-booklet" title="Amazon Way Booklet">Amazon Way Booklet</a></li></ul></li><li><a href="http://apittman.com/blog/my-approach/artistic-statement" title="Artistic Statement">Artistic Statement</a></li></ul></li><li><a href="http://apittman.com/blog/west" title="West">West</a><ul><li><a href="http://apittman.com/blog/west/greek-way" title="Greek Way">Greek Way</a><ul><li><a href="http://apittman.com/blog/west/greek-way/hoplite-slides" title="Hoplite Slides">Hoplite Slides</a></li><li><a href="http://apittman.com/blog/west/greek-way/the-javelin" title="The Javelin">The Javelin</a></li><li><a href="http://apittman.com/blog/west/greek-way/hoplite-experience" title="Hoplite Experience">Hoplite Experience</a></li></ul></li><li><a href="http://apittman.com/blog/west/celtic-way" title="Celtic Way">Celtic Way</a><ul><li><a href="http://apittman.com/blog/west/celtic-way/wrestling-of-the-celts" title="Wrestling of the Celts">Wrestling of the Celts</a></li><li><a href="http://apittman.com/blog/west/celtic-way/celtic-wrestling" title="Holds and Class Safety">Holds and Class Safety</a></li><li><a href="http://apittman.com/blog/west/celtic-way/combat-wrestling-geoghegans-blend-from-east-and-west" title="Combat Wrestling: Geoghegan's Blend From East and West">Combat Wrestling: Geoghegan's Blend From East and West</a></li></ul></li><li><a href="http://apittman.com/blog/west/physical-education" title="Physical Education">Physical Education</a><ul><li><a href="http://apittman.com/blog/west/physical-education/platonic-idealism" title="Platonic Idealism">Platonic Idealism</a></li><li><a href="http://apittman.com/blog/west/physical-education/partner-training" title="Partner Training">Partner Training</a></li><li><a href="http://apittman.com/blog/west/physical-education/tactical-response" title="Tactical Response">Tactical Response</a></li></ul></li><li><a href="http://apittman.com/blog/west/weapons-tactics" title="Weapons Tactics">Weapons Tactics</a><ul><li><a href="http://apittman.com/blog/west/weapons-tactics/archery" title="Archery">Archery</a></li></ul></li></ul></li><li><a href="http://apittman.com/blog/east" title="East">East</a><ul><li><a href="http://apittman.com/blog/east/chinese-arts" title="Chinese Arts">Chinese Arts</a><ul><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i" title="Hsing I">Hsing I</a><ul><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i/history" title="History">History</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i/curriculum" title="Curriculum">Curriculum</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i/articles" title="Articles">Articles</a><ul><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i/articles/generous-spirit" title="&quot;Generous Spirit&quot;">&quot;Generous Spirit&quot;</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i/articles/hsing-is-five-fists" title="Hsing I's Five Fists">Hsing I's Five Fists</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i/articles/advice-offering" title="Advice Offering for Practicing the Chinese Art of Boxing">Advice Offering for Practicing the Chinese Art of Boxing</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/hsing-i/articles/tactical-notes-the-jab" title="Tactical Notes - The Jab">Tactical Notes - The Jab</a></li></ul></li></ul></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua" title="Ba Gua">Ba Gua</a><ul><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/history" title="History">History</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/the-name" title="The Name">The Name</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/curriculum" title="Curriculum">Curriculum</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/articles" title="Articles">Articles</a><ul><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/articles/single-palm-change-baguas-core-movement" title="Single Palm Change: Bagua's Core Movement">Single Palm Change: Bagua's Core Movement</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/articles/links-between-hung-i-mien-wang-su-chin-and-chang-chuen-feng" title="Links between Hung I-Mien, Wang Su-Chin and Chang Chuen-Feng">Links between Hung I-Mien, Wang Su-Chin and Chang Chuen-Feng</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/articles/ba-gua-lineages" title="Ba Gua Lineages">Ba Gua Lineages</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/articles/ba-gua-circle-walking" title="Ba Gua Circle-Walking">Ba Gua Circle-Walking</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/articles/trees-in-ba-gua" title="Trees in Ba Gua">Trees in Ba Gua</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/ba-gua/articles/traditional-indian-dance-and-ba-gua-zhang" title="Traditional Indian Dance and Ba gua zhang">Traditional Indian Dance and Ba gua zhang</a></li></ul></li></ul></li><li><a href="http://apittman.com/blog/east/chinese-arts/tai-chi" title="Tai Chi">Tai Chi</a></li><li><a href="http://apittman.com/blog/east/chinese-arts/chi-gung-qi-gong-in-form" title="Chi Gung, Qi Gong">Chi Gung, Qi Gong</a> (1)</li></ul></li><li><a href="http://apittman.com/blog/east/yoga-systems" title="Yoga Systems">Yoga Systems</a><ul><li><a href="http://apittman.com/blog/east/yoga-systems/egyptian-yoga" title="Egyptian Yoga">Egyptian Yoga</a></li><li><a href="http://apittman.com/blog/east/yoga-systems/hatha-yoga" title="Hatha Yoga">Hatha Yoga</a></li><li><a href="http://apittman.com/blog/east/yoga-systems/caucasoidpersian-yoga" title="Caucasoid/Persian Yoga">Caucasoid/Persian Yoga</a></li></ul></li></ul></li><li><a href="http://apittman.com/blog/teaching" title="Teaching">Teaching</a><ul><li><a href="http://apittman.com/blog/teaching/breaking-preconceptions" title="Teachers and Karma">Teachers and Karma</a></li><li><a href="http://apittman.com/blog/teaching/martial-arts-abuse-by-teachers" title="Martial Arts - Abuse by Teachers">Martial Arts - Abuse by Teachers</a></li><li><a href="http://apittman.com/blog/teaching/trevor-pryce-leggett" title="Trevor Pryce Leggett">Trevor Pryce Leggett</a></li><li><a href="http://apittman.com/blog/teaching/notes-from-an-yi-quan-training-diary" title="Notes from an Yi Quan training diary">Notes from an Yi Quan training diary</a></li><li><a href="http://apittman.com/blog/teaching/saturday" title="Saturday - The Old &quot;Sabbath&quot;">Saturday - The Old &quot;Sabbath&quot;</a> (1)</li></ul></li><li><a href="http://apittman.com/blog/2012-schedule-u-s-and-europe" title="2012 Schedule - U.S. and Europe">2012 Schedule - U.S. and Europe</a></li><li><a href="http://apittman.com/blog/store" title="Store">Store</a></li><li><a href="http://apittman.com/blog/about" title="About">About</a><ul><li><a href="http://apittman.com/blog/about/misc-articles" title="Misc. Articles">Misc. Articles</a><ul><li><a href="http://apittman.com/blog/about/misc-articles/w-e-fairbairn" title="W. E. Fairbairn: British Pioneer in Asian Martial Arts">W. E. Fairbairn: British Pioneer in Asian Martial Arts</a></li><li><a href="http://apittman.com/blog/about/misc-articles/the-templar-research-and-journey-1999" title="The Templar Research and Journey 1999">The Templar Research and Journey 1999</a></li><li><a href="http://apittman.com/blog/about/misc-articles/chi-qi-my-perspective" title="Chi">Chi</a></li><li><a href="http://apittman.com/blog/about/misc-articles/praise-of-arya" title="Praise of Arya">Praise of Arya</a></li><li><a href="http://apittman.com/blog/about/misc-articles/visiting-south-africa-chapter-i" title="Visiting South Africa - Chapter I">Visiting South Africa - Chapter I</a></li><li><a href="http://apittman.com/blog/about/misc-articles/visiting-south-africa-chapter-ii" title="Visiting South Africa - Chapter II">Visiting South Africa - Chapter II</a></li><li><a href="http://apittman.com/blog/about/misc-articles/visiting-south-africa-chapter-iii" title="Visiting South Africa - Chapter III">Visiting South Africa - Chapter III</a></li><li><a href="http://apittman.com/blog/about/misc-articles/allens-review" title="Applegate Review">Applegate Review</a></li></ul></li><li><a href="http://apittman.com/blog/about/blog" title="Blog">Blog</a></li><li><a href="http://apittman.com/blog/about/links" title="Links">Links</a></li><li><a href="http://apittman.com/blog/about/subscribe" title="Sign Up">Sign Up</a></li><li><a href="http://apittman.com/blog/about/sitemap" title="Sitemap">Sitemap</a></li>
</ul></li></ul><span id='Posts' ></span><h2>Posts</h2><ul><li><strong>Category:</strong> <a href="http://apittman.com/blog/category/common" title="Common">Common</a><ul><li><a href="http://apittman.com/blog/making-the-best-of-time" title="Making the best of Time">Making the best of Time</a> February 13th, 2012</li><li><a href="http://apittman.com/blog/internal-verses-external-martial-arts" title="&quot;Internal&quot; verses &quot;External&quot; Martial Arts">&quot;Internal&quot; verses &quot;External&quot; Martial Arts</a> August 3rd, 2011</li><li><a href="http://apittman.com/blog/approach-to-learning-in-groups" title="Approach to learning in groups">Approach to learning in groups</a> February 13th, 2012</li><li><a href="http://apittman.com/blog/europe-itinerary" title="europe itinerary">europe itinerary</a> January 2nd, 2011</li><li><a href="http://apittman.com/blog/getting-this-thing-going" title="getting this thing going">getting this thing going</a> December 6th, 2010</li><li><a href="http://apittman.com/blog/infrequent-classes-prescribed-teaching" title="Infrequent Classes - Prescribed Teaching">Infrequent Classes - Prescribed Teaching</a> February 13th, 2012</li><li><a href="http://apittman.com/blog/video-scythian-way" title="Old Videos">Old Videos</a> June 18th, 2011</li><li><a href="http://apittman.com/blog/on-the-road" title="On the road">On the road</a> August 31st, 2009 (10)</li><li><a href="http://apittman.com/blog/projects-completed-and-in-development-as-of-july-2012" title="The Future - New Projects Coming">The Future - New Projects Coming</a> July 12th, 2011</li><li><a href="http://apittman.com/blog/where-are-the-new-products" title="where are the new products?">where are the new products?</a> December 7th, 2010</li></ul></li><li><strong>Category:</strong> <a href="http://apittman.com/blog/category/projects" title="Projects and Schedule">Projects and Schedule</a><ul><li><a href="http://apittman.com/blog/projects-completed-and-in-development-as-of-july-2012" title="The Future - New Projects Coming">The Future - New Projects Coming</a> July 12th, 2011</li></ul></li></ul><div style="text-align: right;"><p style="font-size:90%;">Plugin by <a href="http://www.dagondesign.com" title="Dagon Design">dagondesign.com</a></p></div></div>

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<item><title>Blog</title><description><![CDATA[<span id='Catecories' ></span><h1>Catecories</h1>
<p><a href="http://apittman.com/blog/category/common">Common</a></p>
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<item><title>Applegate Review</title><description><![CDATA[<span id='Allen&#8217;s Review' ></span><h1>Allen&#8217;s Review</h1>
<p><em>&#8211; by Allen Pittman</em></p>
<span id='The Close Combat Files of Col. Rex Applegate' ></span><h2>The Close Combat Files of Col. Rex Applegate</h2>
<p>By Col. Rex Applegate and Maj. Chuck Nelson. Published by Paladin Press. (<a title="Amazon.com: Look inside" href="http://www.amazon.com/gp/reader/0873649982/ref=sib_dp_pt#reader-link" target="_blank">Look inside</a>)</p>
<p>&#8220;<em>The Close Combat Files of Col. Rex Applegate&#8221;</em> is a nice sized  book (8 3/4 x 11 3/4 inches) with large, easy-to-read print, and a clear  layout. In many ways it reflects the clear, simple and direct approach  of the author and his generation. For historians there are ample and  clear photos and reproductions of the old type-written files of Col.  Applegate. The atmosphere of WWII exudes from the photos and the text  reflects the urgency of the time. Most of the information is not new and  will be familiar to those who are already in the vineyard of the “Knife  and Gunners.” The bulk of the information is in other  books-particularly those of W.E. Fairbairn &#8211; who was a main teacher of  Applegate. The first hand accounts of teaching methods using simplicity,  brevity and intensity with informality are fascinating and worth the  perusal of anyone interested in the teaching process.</p>
<p>The implementation and evolvement of &#8216;point shooting&#8217; skills as  espoused by Col. Applegate (Sykes, Fairbairn and others) is noteworthy  in that the technique has withstood the test of time and evolving  technology. The empty hand and knife techniques show a much smaller  experience base and reflect an uneven knowledge. (Self-defense teacher,  Charlie Nelson of New York (now in Arkansas?) who carries some of the  old Fairbairn / O&#8217;Neil methods has improved and elaborated on much of  this old material improving it significantly &#8211; Charlie uses grabbing and  off-balancing while striking simultaneously like some of the old  Chinese boxing). The lack of sophistication on empty hand comes as no  surprise. In war the gun comes first.</p>
<p>Most surprising to the reviewer was the cover of the book which  depicts Col. Applegate holding a knife in a palm-up position. The one  position which exposes the arteries of the wrist. In fencing this is  taught as the French grip. A hard stroke down on the blade at about  thirty degrees will disarm the man of his weapon. It is a weak grip and a  dangerous position anatomically. Moreover Fairbairn himself according  to his students (Samuel Yeaton and others) said to use the knife like a  painter&#8217;s brush &#8211; palm down or to the side). Applegate&#8217;s empty hand  parries off a knife attack, bringing him inside the guard, and seems to  assume that the adversary will not use the other hand. I would attribute  this to the concentration on weaponry. Some of his other techniques &#8211;  like pushing the shoulder of the adversary to spin behind him &#8211; are very  savvy. Speed of learning in WWII was very important. It is much easier  and faster to teach someone what to do with their hands &#8211; there&#8217;s  several times more brain tissue for the hands than the feet. As someone  practices these movements, their feet will usually adjust for the hand  position. This seems to be the way both Fairbairn and Applegate taught &#8211;  concentration on the hands. This however, neglects subtleties of  balance which are often lost in this speed learning process. When Samuel  Yeaton was studying with Fairbairn in Shanghai he sent a letter to his  brother Charles saying, “&#8230;most Chinese boxing is ritual anyway&#8230;” the  Chinese start with the feet and the process of learning root. To knife  and gunners this would have seemed a waste of time indeed. <em>Learning quickly was everything.</em></p>
<p>The editor&#8217;s notes of vital or killing points initialed “B.N.” on  pages 179 and 180 are particularly ill-advised. “Dim-mak”  (Southern-Cantonese) is more correctly “Tien Shue or Dian Xue”  (Northern-Mandarin) as the art came out of North China. The art cannot  be reliably traced to Chang San-feng (he is legendary) nor is his  “kidney 15” point correct. The point he espouses is “Ren 7.” “Kidney 15”  is one thumb measure to the outside of “Ren 7.” Kidney 15 is not a  killing point &#8211; it is used in acupuncture for constipation. Moreover if  you can hit this low why not hit or grab the testicles as Fairbairn  originally taught?</p>
<p>According to R.W. Smith in his <span style="text-decoration: underline;">Chinese Boxing</span>, the art of  hitting vital points is basically extinct &#8211; though he did learn some  points of one tradition. It was practiced by five different families in  five variations. It is debatable whether it depended on time or target  or both or if it is primarily based on esoteric-ritual, hypnosis, etc&#8230;</p>
<p>It may not be dependant on acupuncture points at all. Modern texts attempting to reconstruct it are mainly based on <em>reverse engineering</em> acupuncture texts a la “If this heals them &#8211; then this hurts them.” The  points themselves may only be linked to acupuncture indirectly. The <em>vital points</em> actually listed by Applegate are the same as listed by Fairbairn and they can be found in most martial arts texts.</p>
<p>The reviewer was surprised this misinformation got in to an otherwise  clear and factual text. These minor details aside &#8211; for WWII Buffs and  historians of all kinds including the arm-chair variety this book is a  must. As a study of the necessities of history it is enlightening. It is  also an appropriate memorial to the experiences of the recently  deceased Col. Applegate.</p>
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<item><title>Visiting South Africa &#8211; Chapter III</title><description><![CDATA[<p><em>&#8211; by Allen Pittman</em></p>
<p>I finally managed to get some quality time in on my last visit to Johannesberg with Baf, a Zulu stick fighting teacher who thank the gods was gentle but strong as an ox. Baf told me to watch his face as we fenced at half speed-&#8221;You will know I will not hurt you by my face&#8221;, he said. It was very frightening initially as the mace end is weighted and the additional torque as a result is something that could cleave a brick. Baf kept finding my rear leg- knee and in a matter of minutes it hurt like a son of a &#8230;he pretty much &#8220;Baffed&#8221; me from one end of the courtyard to the other! but still what a complex and sophisticated art! with both changing grips on the mace, use of the mace spike and either end of the pole which holds a shield which protects the hand. I hope to get some pics of Baf but til then below is a jpg of what the practice weapons look like compared to other culture&#8217;s weapons. For reference remember the Scottish Claymore or two handed sword shown is about five feet in length from butt to tip.</p>
<p><img class=" alignnone" src="/images/ptt/africa01.jpg" alt="" width="350" height="263" /></p>
<p>Left to Right:<br />
1. Middle sized metal shield<br />
2. Zulu staff and shield (from the back)<br />
3. Armor- Piercing Spear<br />
4. Greek Hoplite spear<br />
5. English Long Bow<br />
6. Scot Claymore<br />
7. Spanish Rapier (Circa 1500)<br />
8. Zulu Mace<br />
9. Khyber Knife (Afghanistan)<br />
10. Kukri (Nepal/Burma/Thrac)<br />
11. Masai hand club<br />
12. Tibetan Battle Hammer (Dorje)</p>
<div class="wp-caption alignnone" style="width: 360px"><img src="/images/ptt/africa02.jpg" alt="" width="350" height="263" /><p class="wp-caption-text">Detail on the Zulu Shield</p></div>
<p>&nbsp;</p>
<p>&#8230;and the Zulu use a &#8220;Punch Grip&#8221; like the Romans&#8230;but with a much lighter shield&#8230; once the hand is closed into a fist you can ram the thing forward a bit like a light buckler but with the drag of the long stick, behind the shield gives you a very large surface area to deflect with and which allows you to hit to the opponents eyes and crotch alternately as well as pin his/her weapon or his body&#8230;</p>
<p><img class=" alignnone" src="/images/ptt/africa03.jpg" alt="" width="350" height="263" /></p>
<div class="wp-caption alignnone" style="width: 210px"><img src="/images/ptt/baff1.jpg" alt="" width="200" height="150" /><p class="wp-caption-text">Baf</p></div>
<div class="wp-caption alignnone" style="width: 210px"><img src="/images/ptt/baff2.jpg" alt="" width="200" height="413" /><p class="wp-caption-text">Baf</p></div>
]]></description><link>http://apittman.com/blog/about/misc-articles/visiting-south-africa-chapter-iii</link></item>
<item><title>Visiting South Africa &#8211; Chapter II</title><description><![CDATA[<p><em>&#8211; by Allen Pittman</em></p>
<div class="wp-caption alignright" style="width: 160px"><img style="border: 0pt none;" src="/images/ptt/cape.jpg" border="0" alt="" width="150" height="95" /><p class="wp-caption-text">The view from Capetown, South Africa</p></div>
<p>While spending time in Johannesburg, I taught the students of Jerry  Smith, skilled in several forms of Chinese Boxing, and was also, like  me, a fellow book addict, researcher of Sufism and various other  esoterica and very knowledgeable about yoga as well.  His bullshit  detector works well and we had a lot to catch up on as regards teachers  and training in South Africa and the U.S.</p>
<p>Jerry, like many good teachers, has a wide range of ages in his  students, I&#8217;d say from their 20&#8242;s to their 70&#8242;s. They treated me kindly,  I enjoyed teaching them, and look forward to seeing them in the future.</p>
<p>Jerry took his wife, Hasina, and I out to Krugersderp (sp?) Game Reserve for a day. Upon entering the gate, I read the clause <em>(claws?)</em> on our ticket, “The management is not responsible for any damage,  injury or loss of any nature sustained by a visitor.” Seems a  camera-happy Japanese man left his car to wave his hands and get the  attention of a lethargic lion who took note of him and ate him. With  this in mind, Hasina rolled her window up and we entered a 30&#8242; gate. I  quickly recalled a cat can jump two to three times its body length.</p>
<p>We followed the winding pavement into the tall amber grass and as I  could not see a lion, I looked at the amber waves of grass and realized  that it was exactly the same color as a lion and, as a result, I could  be looking at a lion and not even know it. I contemplated the meaning of  a flat tire under such conditions, then I wondered, &#8216;What if the car  goes dead? Recalling Livingston&#8217;s description of the beauty of a tiger&#8217;s  face &#8211; as it bit into his shoulder &#8211; I wondered why a lion has no  stripes. We could not see anything but I was quite sure <em>anything</em> could see us. I imagined the car looking like a mobile sardine can. The  car bumped over a hunk of dung that could have been made by four cows  and we continued over the grassy plain.</p>
<p>I noticed two large gray stones and as we neared them, they turned  into two rhinos. It is not like TV. The space and the feeling of  vulnerability become amplified. Realizing a rhino can outrun a man does  not help. Moreover they can pierce a car with their horn and flip it  over. Even more insulting you cannot sneak up behind them as they are  powerfully retromingent. I was glad the rhinos were grazing and not  moving.</p>
<p>Along with these idle terrors were mixed views of springboks, small,  graceful animals who, it seems, contradict the &#8220;only the strong survive&#8221;  philosophy perpetrated by Darwin from a rather economical perspective.  There were also large impala, antelope and gazelles. I could imagine  walking over the Velt (Afrikaans for “field” sounds like “felt”) and  viewing the whole spectacle on foot. Hair raising. On lions, I recall  the Christians in the coliseum scoring low, though the prophet Daniel  did well with them as did <span style="text-decoration: underline;">Born Free</span>&#8216;s Joy Davidman.</p>
<p>While at the British Museum, I looked at a copy of engravings of St.  Jerome with his wonderfully content lion loafing in varied locations in  his study (probably following the sun spot). The Zulus say there used to  be three big cats (perhaps this is the Nemean Lion of Hercules?). The  lion, the tiger and another I have not found a description of except in  records of gigantism in ancient times &#8211; the 25&#8242; Saber Tooth Tiger. Be  grateful for small mercies I say.</p>
<p>As we left the game reserve, there was a lioness in a pen with her  cub &#8211; for us tourists who saw no lions on the plains.  The lioness was  5-6&#8242; in length and I noticed just behind and below her was a large stone  behind which a large tail flicked at flies.  Old Simbha keeping a low  profile.</p>
<p>So a renewed respect for the wild and the odd awareness that the  small lithe and graceful Springbok coexists on the same plain as the  lion.</p>
<p>&nbsp;</p>
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<item><title>Visiting South Africa &#8211; Chapter I</title><description><![CDATA[<p><em>&#8211; by Allen Pittman</em></p>
<div class="wp-caption alignright" style="width: 160px"><img style="border: 0pt none;" src="/images/ptt/cape.jpg" border="0" alt="" width="150" height="95" /><p class="wp-caption-text">The view from Capetown, South Africa</p></div>
<p>Capetown, its library still smacking of the old British empire but  now, since the very necessary deregulation and abolishment of apartheid,  dotted through it&#8217;s tree lined park with beggars, vendors and drunks.  The old buildings here have a beauty similar to those in Singapore-but  not as clean. I was not aware of just how old Capetown is. It goes back  several hundred years, well past the times of the British Empire.</p>
<p>Table Mountain rises sheer and rocky from it&#8217;s grassy base and it  forms a ridge which seems to wander all over the Cape. It is really not  one mountain but several adjoining a ridge.</p>
<p>The coast here at Capetown reminds me also of the mountains around  Hong kong. But there are few skyscrapers-so it does not have Hong Kong&#8217;s  cluttered feeling. Overall I&#8217;d say the Cape landscape is one of the  most beautiful  I have ever seen. My cousin Pearl,  an alacritous blue  eyed, seventy year old lady, who gives the impression of being around  forty,  took me all around the Cape to all  the scenic spots and I  managed a water color post card or two and saw the haunts of my great  uncle Harry, an old missionary hero of mine who followed in the steps of  Livingston and Crawford.</p>
<p>The water around the Cape is a lovely blue-green and the beaches are white.  In the bright sun shine the beach dazzles the eyes.</p>
<p>Pearl and I had a lovely lunch at a restaurant at Cape Point. After  we took the tram to the top and took some pictures, we came down to get  in the car to drive the rest of the way down only to be delayed by a  troop of about a dozen baboons. One car had pulled over to the side of  the road to watch and a very large, about 80 lb baboon sat on the hood  watching sagely through the windshield at his watchers. I wondered what  the baboon thought of the people. I noticed the driver had kept his  windows up. I do not know if the passengers of the car were aware the  placid old fellow watching them could pull their arms out of socket. Or  as one fellow put it after being put in the ring with a sixty pound  chimp, “That&#8217;s the first time I&#8217;ve ever been hooked in the jaw and  kicked in the ass at the same time!”</p>
<p>Those baboons have some very interesting muscle attachments in their  arms since they are knuckle walkers and have forearms about a half time  longer than  humans. I once saw a chimp on TV throw an electric  typewriter across a room with two fingers. At the time those typewriters  weighed about twenty pounds!</p>
<div class="wp-caption alignleft" style="width: 318px"><img style="border: 0pt none;" src="/images/ptt/zulustick.jpg" border="0" alt="" width="308" height="165" /><p class="wp-caption-text">Jacob &amp; Knowledge Show Traditional Zulu Stick-Fighting Techniques</p></div>
<p>I also rendezvoused (sp?) with my friend E. who showed me some  footage of the Zulu stick fighting and other martial arts in S. Africa.   He was able to show me some of the basic movements and mentioned care  was to be taken when studying with the Zulu, since one fourth of the  Zulu population now has AIDS according to some estimates. E. also  mentioned his teacher, H. who sounded such a character, I requested E.  to introduce me. He did, and I spent an informative evening with an  older fellow who traced his techniques to a man named Burnett who had  studied with my biographical target, W.E. Fairbairn!</p>
<p>So I saw some things that impressed me and from what I saw I would  guess what Fairbairn taught personally was often different than what he  taught in his texts. It&#8217;s amazing what you cannot get in a book! What H.  can do with a knife is also impressive, seems he was picked on as a  child in school and at that time school was rough. H. learned the knife  was an equalizer and he got good with it. Later he cross referenced it  with what he learned from Burnett and Judo and the smoothness he had  acquired from being a professional dance teacher give him an uncanny  grace and economy.</p>
<p>So this lean, lithe, hawk-like man used the language I knew well with  his students, “Too tense, shorter movements, don&#8217;t think- just do,  etc.” The waist, footwork and economy are all optimized. His few  carefully selected students are good fellows too, keeping their sense of  humor while refraining from nonsense. After class H., E. and I chatted,  H.&#8217;s comments on most martial arts were simple and profound, “They  waste too much movement and complicate things far too much,” he  summarized.  I was so impressed with the gliding feet and ease of  technique I told Harry I wanted to see him next year. So hopefully more  on this “Falcon of Capetown” next year.</p>
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<item><title>Chi</title><description><![CDATA[<span id='Chi / Qi &#8211; My Perspective' ></span><h1>Chi / Qi &#8211; My Perspective</h1>
<p><em>&#8211; by Allen Pittman</em></p>
<span id='Chi &#8211; Chi &#8211; Qi' ></span><h2>Chi &#8211; Chi &#8211; Qi</h2>
<p>Several students have asked me what I think about Chi First I would like to say that I do believe in Chi and <em>have experienced it first hand</em>.  Having said that, I feel obligated to make clear much of what is  described in the mass media as “Chi” I believe to be heavily dependant  on Auto-Suggestion. Below are the aspects of what I understand Chi to  be.</p>
<span id='According to Chinese Culture' ></span><h2>According to Chinese Culture</h2>
<p>The character from the Chinese (Pre-Communist Era [<em>before 1956</em>]  characters i.e. C(Q)hing dynasty) depicts vapor coming up from a  steaming bowl of rice. From this we can safely relate Chi to the  production of heat in the body and that also pressure, or perhaps a  feeling of expansion. The same implication is given as air pressure or  pneumatic force, like the inflating of a balloon, or the action of a  steam piston, or the whistling of a tea-kettle. In the body, the deep  inflation of the diaphragm as it pushes the belly out is called “Chi” as  is nearly any variety of tingling sensation.</p>
<p>In essence, the REAL CHI creates <em>heat and pressure</em>. It is  most easily experienced in forms of reverse breathing and what is  popularly known in Yoga as Pranayama and Kumbaka. A few rounds of Tai  Chi Chuan will get you sweating too! And a little is good. But too much  sweating depletes the kidneys as well as the whole system of water and  salt, so care must be taken to replace it. In spite of this, the old  timers  practiced for hours until they were to the point of fainting!  That includes the Tai Chi practitioners  too! There is no substitute for  hard, arduous training. The main thing is  to know when to let up &#8211; and  how to nurture your self. That is the whole yang (active) and yin  (nurturing/nourishing) cycle. Without discovering your own personal,  “Golden Mean” you can easily hurt yourself&#8230;</p>
<p>The problem with this “tingling” business is it could also just be a limb has gone  to sleep or a nerve is being compressed!</p>
<p>I know of a yoga teacher in Taiwan who had a growth on his tongue. He  said it was because “the Yoga has made the Chi very strong.” Well I  hope the growth was not cancerous!</p>
<p>So you see, the term can be used to explain anything abnormal or  subtle. Clairvoyance, astral projection, phenomena associated with  various meditation states can all be due to Chi. In some ways this is  just another way of saying, “We cannot explain this rationally so we  will defer to an ancient paradigm.”</p>
<p>Chi, like many other things in Traditional Chinese Culture is based-  not on experimental double-blind lab studies-but on empirical  observation over a period of time. Hung I-mien, my Gao Ba Gua teacher,  used to say, “The Chi will change the tendons of the body as you  practice Ba Gua &#8211; just watch your deltoids when they begin to form deep  dimples, that is a function of Chi as is the ability to inhale and tense  the abdomen against punches.” What he did not say was any exercise that  repeatedly raises the arms develops definition in the deltoids and any  deep breathing exercise will give one a good strong abdomen!</p>
<p>In Chinese/Taoist Yoga the Chi is mixed with Ch(J)ing. That is the  air from deep breathing and its associated energies and pressures is  mixed &#8211; in the abdomen, with an essence from the kidneys  (testosterone?). Without Ching or &#8216;sperm essence,&#8217; the Chi cannot  transform the tissue of the body. With women the essence is related to  the ovaries and their energy.</p>
<p>The result of the fusion of Chi and Ching is a strengthening and  thickening of the internal organs and connective tissue and membranes  (including the organ bags and joint capsules).</p>
<p>The emphasis in Traditional Chinese Medicine on keeping an amount of  sperm in the body (there are several versions of sperm loss time-tables)  has not imported very well to America! In spite of the fact the  Chinese, Hindu and Tibetan traditions all carry this idea. All these  older traditions see sperm as concentrated blood. The ratio given by  Indian Yoga is 60 drops of blood equals one drop of sperm. So a man&#8217;s  ejaculation was seen as paralleling a woman&#8217;s period only amplified by a  factor of about 60 times!</p>
<p>Women too were encouraged to restrain their period through exercises  using muscular contractions of the pelvis, vegetarianism and physical  exercise &#8211; usually some kind of Gong-fu or daily physical exercise  regimen-could be as simple as running and jumping  or other <em>Lightness Skills</em>.</p>
<p>The difference between sperm and blood is distinct &#8211; one has spinal  fluid in it &#8211; which is normally circulated in the brain through the  spinal canal. This is distinct from the lesser- potent blood, which is  circulated through the veins and arteries.</p>
<p>All of these ideas of retaining and transforming physical juice and  mental discipline were directed toward longevity. The life span hoped  for was 120 years old. Did it work? Well there are some pretty old  people surviving in the mountains of Chung Nan to this day. I don&#8217;t know  how old some of them are and in Chinese culture they are not beyond  lies! If you wish to read about these folk try Bill Porters&#8217; &#8220;Road To  Heaven&#8221;. Bill&#8217;s mentor was John Blofeld and his tour with the  Taoists-before Mao-is captured in his text, &#8220;The Secret and Sublime&#8221;.</p>
<span id='Chi and Autosuggestion' ></span><h2>Chi and Autosuggestion</h2>
<p>The base of the brain scans and screens input from the body. This is  called  the Reticular Activating System. When you say to someone, &#8220;Feel  the Chi  in your fingertips&#8221; &#8211; well their brain is going to scan that  area on your command &#8211; and it will tingle. The Chinese see that as  evidence of &#8220;Chi&#8221;. I see it as the electrical scanning mechanism of the  Reticular Activating System.</p>
<p>Under hypnosis things get more intense. You can hypnotize someone and  say, “;Your hand is burning” and blisters will appear on the skin!  Actual burn blisters. So human chemistry is responsive to visualization  and command. To what limit I don&#8217;t know. But at this simple stage things  are already pretty weird. The body is actually creating a chemistry  which, being based on a mental construct, produces the visualized  effect. The Chinese would call this “Chi” too. And several cultures have  taken this training to its logical conclusion in particular the  Tibetans with their multi-template Tantric meditations.</p>
<p>Now if you add to these phenomena, laying on a bed of nails like a  Hindu fakir, or breaking bricks, like a Gung-fu master, then you have a  sense of the whole circus of <em>Chi</em>. All of these things can be  faked too, which makes it very complicated. Any bed of nails can be laid  on if it has enough nails in it! It is just a matter of weight  distribution! Try laying on a single spike and see how you do! Any brick  can be broken if it&#8217;s the right size. Try a round creek stone! So some  of this is simple physics. When you get to breaking a single brick half  way down a stack of twelve then there is something else going on&#8230;<em>If it is not faked!</em> A very fine sense of impact and projected vectors, which the human body can certainly develop.</p>
<span id='My Conclusion' ></span><h2>My Conclusion</h2>
<p>So is there Chi? Yes, certainly. Tibetans can melt iced sheets placed  on their bodies on mountain ledges in the winter! And some Chinese  boxers can inflate their limbs almost like bicycle inner tubes! And yes,  if you practice your forms with breath and intention over a long period  of time with some semen retetion technique the texture of your body  will change-the protein and vitamin E in the sperm has to go somewhere!  You will see it in the skin and musculature particularly. Both become  much more elastic. But if someone charges you some high price to breathe  deep and wave your hands around know that anything like that will make  you feel a little tingly for whatever reason!</p>
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<item><title>Praise of Arya</title><description><![CDATA[<span id='Tara Who Saves From The Eight Great Fears' ></span><h1>Tara Who Saves From The Eight Great Fears</h1>
<p><em>&#8211; by Candragomin  (7th century, Bengal, India)</em></p>
<span id='Homage to the Venerable Arya-Tara!' ></span><h2>Homage to the Venerable Arya-Tara!</h2>
<ol>
<li>All gods and asuras pay homage at Your feet.. You look with  compassion on beings in ill migrations. Tara, Who&#8217;s left off all that is  unfitting! I, Candragupta, shall write a praise to you.</li>
<li> Paws red with blood of elephants it&#8217;s slain, the lion sees the  traveler and advances. If on the way one thinks of you, it enters a  forest extremely hard to cross.</li>
<li> Spurred by the noise of swarms of millions of bees circling his  cheeks, which rut-fluid stains all over Not pausing a moment, on his way  to kill- If one salutes You, Tara, he&#8217;s subdued.</li>
<li>Kindled by fierce wind as of the Age of Destruction, fire is blazing  up as vast as the sky; Should some citizen call upon Your name, Then  immediately it is extinguished.</li>
<li>In a constricted, tortuous, cave-like valley, The mighty serpent  spots the traveler and darts up the path; but to remember Tara Puts down  its pride and turns it back again.</li>
<li>Robbers brandishing various sharp weapons See the traveler  and  advance upon her; But by the power of thinking of Venerable Tara, In no  great time she safely reaches home.</li>
<li> A lord of the earth, who&#8217;s skilled at making wishes daily  fulfilled, has one bound in prison; But think of worshipful Tara, and in  a moment the unbearable shackles will be in a hundred pieces.</li>
<li>One&#8217;s ship is broken amidst an ocean whose commotion towers up high  as the Brahma heavens, By fish and sea-monsters of terrifying forms; But  thinking of Tara, one finds security.</li>
<li>Tawny &#8211; haired vetala demons, their bodies like kohl, Lean and  hungry, held together by prominent sinews delighting in slaying human  beings, Will be subdued if one remembers You.</li>
<li>Through the merit that I have gained here thinking of Her victorious  over the Maras who in this way saves from the eight fears, May She be  known to all the entire world!</li>
</ol>
<p>The Praise of Arya &#8211; Tara Who Saves from the Eight Great Fears, by the Venerable Master Sri-Candragomin, is complete.</p>
<p>With altered punctuation, From <em>&#8220;In Praise of Tara&#8221;</em> by Martin Willson, Wisdom Publications 1986</p>
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<item><title>The Templar Research and Journey 1999</title><description><![CDATA[<p>Having been involved in studying martial arts and comparative religion  for over twenty years I eventually ran into the figures of  the Knights Templars. They not only blended religious devotion to  martial training and horsemanship, they also developed the first  international banking system with a credit card and are credited with  the discovery, or at least exploitation of the Americas  (a mixed blessing indeed!). They also were among the first men to travel  in recent history (1100&#8242;s) back and forth between the  East and the West on a continual basis- something nearly every  practitioner of martial arts does psychologically if not  physically! I decided to study them through reading and traveling.   Naturally this led to other people, historical re-enacters,  Society for Creative Anachronism practitioners and Professors of History  and Priests. I eventually came to the conclusion the  Templars were far more complex than many historians realized. In 1999 I  went on a sort of &#8220;Western European&#8221; pilgrimage beginning  in S. Africa&#8230;</p>
<p><img src="/images/ptt/templar01.jpg" alt="" width="350" height="231" /></p>
<p>then flying to London to visit the Templar chapel underneath Parliament- , -driving up into Scotlandto Bannockburn Battlefield  where it is said the Templars were seen in the Battle assisting Robert the Bruce&#8230;</p>
<p><img src="/images/ptt/templar02.jpg" alt="" width="350" height="536" /></p>
<p><img src="/images/ptt/templar03.jpg" alt="" width="350" height="509" /></p>
<p><img src="/images/ptt/templar04.jpg" alt="" width="350" height="226" /></p>
<p><img src="/images/ptt/templar05.jpg" alt="" width="350" height="572" /></p>
<p>To Rosslyn Chapel</p>
<p><img src="/images/ptt/templar06.jpg" alt="" width="350" height="229" /></p>
<p><img src="/images/ptt/templar07.jpg" alt="" width="350" height="353" /></p>
<p>to visit the St. Clair/Sinclair crypt&#8230;</p>
<p><img src="/images/ptt/templar08.jpg" alt="" width="350" height="496" /></p>
<p>and making my way across to Paris and then to Chartre Cathedral where the labyrinth is&#8230;</p>
<p><img src="/images/ptt/templar09.jpg" alt="" width="350" height="516" /></p>
<p>&#8230;from there on through Switzerland to the Geotheanum where the work of  Rudolph Steiner is preserved- he wrote a fascinating text  on the &#8220;Templars and the Mexican Mysteries&#8221;.</p>
<p><img src="/images/ptt/templar10.jpg" alt="" width="350" height="232" /></p>
<p>and onward to Rome to visit with the Vatican Museum and library and the Jesuits and do some research in the Vatican library.</p>
<p><img src="/images/ptt/templar11.jpg" alt="" width="350" height="488" /></p>
<p>From there I went to Palermo, Sicily and from Sicily to the island of Ustica &#8211; where Cathiginian Mercenaries were imprisoned&#8230;</p>
<p><img src="/images/ptt/templar12.jpg" alt="" width="350" height="195" /></p>
<p><img src="/images/ptt/templar13.jpg" alt="" width="350" height="184" /></p>
<p><img src="/images/ptt/templar14.jpg" alt="" width="350" height="527" /></p>
<p>and then on to Barcelona, where it snowed!</p>
<p><img src="/images/ptt/templar15.jpg" alt="" width="350" height="522" /></p>
<p>with a train to A Coruna where the oldest lighthouse in the world  is&#8230;and whose symbol is a skull and bones (Templars!) underneath a  lighthouse&#8230;.</p>
<p><img src="/images/ptt/templar16.jpg" alt="" width="350" height="495" /></p>
<p>and ending in Santiago De Compestello.</p>
<p><img src="/images/ptt/templar17.jpg" alt="" width="350" height="600" /></p>
<p>where it is debated is the tomb of Jesus&#8217; disciple James? His brother?  His son? Or Santiago, the defender of the Spaniards  against the Moors? At any rate the Cathedral is packed with influences  from all over Europe and it is the capstone of one of the  three sacred pilgrimages of Christianity which are:<br />
1. Rome<br />
2. Jerusalem<br />
3. Santiago de Compestello</p>
<p><img src="/images/ptt/templar18.jpg" alt="" width="350" height="228" /></p>
<p>the plaza at Santiago d-C.</p>
<p><img src="/images/ptt/templar19.jpg" alt="" width="350" height="526" /></p>
<p>inside the room behind the figure of Christ&#8230;which overlooks the congregation-which allows you to look over the shoulder of  Christ at the people during mass&#8230;a real consciousness exercise!</p>
<p>The trip was a five month journey of six countries. I read and  researched as I traveled and I came to feel some of the  atmospheres and energies of these sacred places.  Along with this and  over the  years since then, I have given four lectures at  the Atlanta Theosophical Society-all related to the Templars. The first  lecture was on the original founders, the second lecture  was on The Green Man or &#8220;khidr&#8221; also known as Cernunnos as depicted here  at Rostherne Chapel in England&#8230;</p>
<p><img src="/images/ptt/templar20.jpg" alt="" width="350" height="448" /></p>
<p>the cemetery at the Chapel-a Celtic Cross</p>
<p><img src="/images/ptt/templar21.jpg" alt="" width="350" height="526" /></p>
<p>The third lecture at the Theos. Society was on &#8220;Middle Eastern Influences&#8221; in history and at present and was a look at both  cultural and economic issues that have involved the U.S. in the Middle East. The fourth lecture- unexpectedly -was assigned to  me by the society; to speak on &#8220;Ley Lines&#8221; and strangely, this lecture tied all the others together and pointed to the whole  science behind the construction of the Cathedrals in Europe during the middle ages. These lectures are available on DVD and  listed under products.  The Templars were and are (as there are several groups at present who have taken on some of the intent  of the old Order)  a fascinating group and due to their martial-spiritual nature, well worth study by any serious martial  arts/religious scholar&#8230;</p>
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